Difference between revisions of "Question: Did Joseph Smith identify any elements of Facsimile 2 that are in agreement with what Egyptologists say they represent?"

(Question: Did Joseph Smith identify any elements of Facsimile 2 that are in agreement with what Egyptologists say they represent?)
(Question: Did Joseph Smith identify any elements of Facsimile 2 that are in agreement with what Egyptologists say they represent?)
Line 2: Line 2:
 
<onlyinclude>
 
<onlyinclude>
 
==Question: Did Joseph Smith identify any elements of Facsimile 2 that are in agreement with what Egyptologists say they represent?==
 
==Question: Did Joseph Smith identify any elements of Facsimile 2 that are in agreement with what Egyptologists say they represent?==
Many authentic and ancient motifs are related to the explanation of this figure.
+
'''FIGURE 1'''
 
====Kolob...nearest to the celestial, or the residence of God.====
 
====Kolob...nearest to the celestial, or the residence of God.====
 
John Tvedtnes:
 
John Tvedtnes:
  
<blockquote>The star named Kolob, and it’s called a star, I know that there are some websites that say the Mormons are crazy they think God lives on a planet called Kolob. The passage never says it’s a planet and never says God lives there either; it says it’s closest to where he lives. Anyway the star named Kolob is so-called “because it is near unto me” (Abr. 3:3) or near “the residence” (Fac. 2, Fig. 1) or “throne of God” (Abr. 3:9). Facsimile 2, Fig. 1 describes it as “nearest to the celestial.” This explanation is attractive because it creates a wordplay in the Book of Abraham; a feature known from the underlying Hebrew of both the Old Testament and the Book of Mormon. The wordplay being between “near” and “Kolob” because in fact the word for Kolob can mean near; there are several possibilities to explain and I’m going to talk about those now.  
+
<blockquote>The star named Kolob, and it’s called a star, I know that there are some websites that say the Mormons are crazy they think God lives on a planet called Kolob. The passage never says it’s a planet and never says God lives there either; it says it’s closest to where he lives. Anyway, the star named Kolob is so-called “because it is near unto me” (Abr. 3:3) or near “the residence” (Fac. 2, Fig. 1) or “throne of God” (Abr. 3:9). Facsimile 2, Fig. 1 describes it as “nearest to the celestial.” This explanation is attractive because it creates a wordplay in the Book of Abraham; a feature known from the underlying Hebrew of both the Old Testament and the Book of Mormon. The wordplay being between “near” and “Kolob” because in fact the word for Kolob can mean near; there are several possibilities to explain and I’m going to talk about those now.  
 
Janne Sjodahl was the first to compare the name with the Arabic qalb “core, marrow, heart, intelligence”, however because ‘l’ and ‘r’ often interchange in Semitic languages, one should also note Arabic QRB “proximity, near, midst” which is cognate to Hebrew qārōb “near” or “close.” Robert F. Smith prefers the latter and notes that it appears in the sense of “near one” as a title of God in Psalm 119:151 where it parallels the word qedem which means the “primeval one” or the “ancient one” (that’s in verse 152). Smith notes that the cognate Ugaritic qurb often refers to the dwelling place of El, the chief God, in the Canaanite pantheon in the expression “midst of the source of the two deeps” where the word rendered “midst” is in fact this same word qurb meaning “near”.  
 
Janne Sjodahl was the first to compare the name with the Arabic qalb “core, marrow, heart, intelligence”, however because ‘l’ and ‘r’ often interchange in Semitic languages, one should also note Arabic QRB “proximity, near, midst” which is cognate to Hebrew qārōb “near” or “close.” Robert F. Smith prefers the latter and notes that it appears in the sense of “near one” as a title of God in Psalm 119:151 where it parallels the word qedem which means the “primeval one” or the “ancient one” (that’s in verse 152). Smith notes that the cognate Ugaritic qurb often refers to the dwelling place of El, the chief God, in the Canaanite pantheon in the expression “midst of the source of the two deeps” where the word rendered “midst” is in fact this same word qurb meaning “near”.  
 
Another possible Hebrew etymology is the Hebrew KLB “dog” originally pronounced kalb just as it is in Arabic. This is used to denote the star Regulus in Arabic while the Syriac, which is also kalb denotes the star Sirius, the brightest star in the heavens. There’s a wonderful article that Dan Peterson, and John Gee, and Matt Roper (I think), were the three who (if I left something off that you can fill it in later) but they wrote a really nice article on Kolob and its place in the sky and what it meant for Abraham.4  
 
Another possible Hebrew etymology is the Hebrew KLB “dog” originally pronounced kalb just as it is in Arabic. This is used to denote the star Regulus in Arabic while the Syriac, which is also kalb denotes the star Sirius, the brightest star in the heavens. There’s a wonderful article that Dan Peterson, and John Gee, and Matt Roper (I think), were the three who (if I left something off that you can fill it in later) but they wrote a really nice article on Kolob and its place in the sky and what it meant for Abraham.4  
In Arabic, this term KLB “dog” also denotes the constellation of Canis Major which is Latin meaning “Great Dog”, we call it the Big Dipper but that’s not what is was called anciently, as the brightest star in the constellation of the Big Dipper, Sirius is called Alpha Canis Majoris which is “number one big dog” or top dog I guess. Another name for the star is Canicula, a Latin word for ‘Little Dog’. Akkadian sources call Sirius (inaudible) the “dog of the sun”. In ancient Egypt the Nile began to rise at the helical rising of Sirius, that is when it came up just before the sun and bringing the annual torrent of Nile water laden with rich volcanic soil from the south and depositing it on the cultivated land.  
+
In Arabic, this term KLB “dog” also denotes the constellation of Canis Major which is Latin meaning “Great Dog”, we call it the Big Dipper but that’s not what is was called anciently, as the brightest star in the constellation of the Big Dipper, Sirius is called Alpha Canis Majoris which is “number one big dog” or top dog, I guess. Another name for the star is Canicula, a Latin word for ‘Little Dog’. Akkadian sources call Sirius (inaudible) the “dog of the sun”. In ancient Egypt the Nile began to rise at the helical rising of Sirius, that is when it came up just before the sun and bringing the annual torrent of Nile water laden with rich volcanic soil from the south and depositing it on the cultivated land.  
 
I should mention by the way you notice how the one has a ‘q’ the other has a ‘k’? That’s very important, at least in Arabic, it’s not as important in Hebrew but I always try to get my Hebrew students to pronounce the two differently. In Israel they pronounce the two ‘k’ just that- it’s just like a regular ‘k’ in English. But in ancient times they were pronounced quite differently. One is pronounced way in the back of the throat, the other is pronounced farther up and in Arabic they make a big distinction and my reasoning with my students was, if you don’t make the distinction and you speak in Arabic and you want to tell a girl, “I love you with all of my heart” which is the word that’s coming up next, you don’t want to end up saying “I love you with all of my dog.” (Laughter) I think that struck a note with most of them.  
 
I should mention by the way you notice how the one has a ‘q’ the other has a ‘k’? That’s very important, at least in Arabic, it’s not as important in Hebrew but I always try to get my Hebrew students to pronounce the two differently. In Israel they pronounce the two ‘k’ just that- it’s just like a regular ‘k’ in English. But in ancient times they were pronounced quite differently. One is pronounced way in the back of the throat, the other is pronounced farther up and in Arabic they make a big distinction and my reasoning with my students was, if you don’t make the distinction and you speak in Arabic and you want to tell a girl, “I love you with all of my heart” which is the word that’s coming up next, you don’t want to end up saying “I love you with all of my dog.” (Laughter) I think that struck a note with most of them.  
 
So, this is the other one I want to have QLB which is “heart” in Arabic. There are some Egyptian equivalents to that, I didn’t put them up here. There’s a couple of cognates that are related directly to that. In the Sumerian text known as the Descent of Inanna, one of the more ancient texts from the Middle East, the goddess Inana goes down into the Underworld to free her husband Dumuzi who is the god who brings rain during the season of rain, and on the way back to heaven she stops at a place called Kulab which is designated as a tree of some sort. We don’t know why this happens there but there Dumuzi gets to sit on his throne and puts on his royal apparel which he has not been wearing while he’s been in prison.</blockquote>
 
So, this is the other one I want to have QLB which is “heart” in Arabic. There are some Egyptian equivalents to that, I didn’t put them up here. There’s a couple of cognates that are related directly to that. In the Sumerian text known as the Descent of Inanna, one of the more ancient texts from the Middle East, the goddess Inana goes down into the Underworld to free her husband Dumuzi who is the god who brings rain during the season of rain, and on the way back to heaven she stops at a place called Kulab which is designated as a tree of some sort. We don’t know why this happens there but there Dumuzi gets to sit on his throne and puts on his royal apparel which he has not been wearing while he’s been in prison.</blockquote>
  
====signifying the first creation====
+
====signifying the first creation...First in government, the last pertaining to measurement of time====
  
Hugh Nibley:
+
Hugh Nibley (and Michael Rhodes):
<blockquote> Figure one is the God Amun. As [non-LDS Egyptologist] [https://en.wikipedia.org/wiki/Peter_le_Page_Renouf Peter L. Renouf] saw, "the great God, Lord of Heaven, the giver of light, lighting up the Heavens and earth with his rays . . . to give life to the universe."<ref>Renouf "Two-sided Hypocephalus," 144-46, plate 2</ref>.. . .The staff held by figure 1, Amun, is a combination of the ''djed''-column, signifying abiding firmness and stability, the ''was''-scepter of power and authority, and he ankh-staff of life --the three things on which all certainty depends. BU before all else we are dealing with creation and birth. So it is enlightening to note that the Prophet Josep begins his explanation of this figure as "the first creation, nearest to the celestial, or the residence of God. First in government, te last pertaining to measurement of time," etc. It is not the celestial residence, but it is near to it, as the center of one great system, the large system known to Abraham, and though he is aware of the existence of worlds without number, he sees only a particular segment. Indeed, Moses was sharply rebuked when he asked to see it all: "Worlds without number have I created . . . for mine own purpose; . . . here is wisdom and it remaineth in me" (Moses 1:33,31). Moses is informed that he has all that he can handle in his own earthly mission and meekly apologizes, "Be merciful unto they servant, O God, and tell me concerning this earth, . . . and then they servant will be content" (Moses 1:36).
+
<blockquote> Figure one is the God Amun. As Peter L. Renouf saw, "the great God, Lord of Heaven, the giver of light, lighting up the Heavens and earth with his rays . . . to give life to the universe."<ref>Renouf "Two-sided Hypocephalus," 144-46, plate 2</ref>.. . .The staff held by figure 1, Amun, is a combination of the ''djed''-column, signifying abiding firmness and stability, the ''was''-scepter of power and authority, and he ankh-staff of life --the three things on which all certainty depends. But before all else we are dealing with creation and birth. So, it is enlightening to note that the Prophet Joseph begins his explanation of this figure as "the first creation, nearest to the celestial, or the residence of God. First in government, the last pertaining to measurement of time," etc. It is not the celestial residence, but it is near to it, as the center of one great system, the large system known to Abraham, and though he is aware of the existence of worlds without number, he sees only a particular segment. Indeed, Moses was sharply rebuked when he asked to see it all: "Worlds without number have I created . . . for mine own purpose; . . . here is wisdom and it remaineth in me" (Moses 1:33,31). Moses is informed that he has all that he can handle in his own earthly mission and meekly apologizes, "Be merciful unto they servant, O God, and tell me concerning this earth, . . . and then they servant will be content" (Moses 1:36).
  
        The most sublime aspect of Amun is the way he brings all things together in one, just as science today looks for the Grand Unifying Theory (GUT). That is what Amun gives us and we should bear in mind that all the owners of hypocephali were priests and priestesses of Amun-RE, along with their associates. Abraham, viewing the tarry heavens, fund that he "could not see the end thereof" (Abraham 3:12); while Moses, who is given "only an account of this earth," is assured that worlds that now stand are "innumerable. . . unto man; but all things are numbered unto me, for they are mine and I know them (Moses 1:35). As the doctrine of Min-Amun-RE, etc. proclaims, all the universe is full of life, sustained and rejuvenated in and by the One at the Center.<ref> Nibley, Hugh "One Eternal Round" pp. 236, 238; Neal A. Maxwell Institute for Religious Scholarship: Provo, UT. Edited by Michael Rhodes (2010) PRINT.</ref></blockquote>
+
The most sublime aspect of Amun is the way he brings all things together in one, just as science today looks for the Grand Unifying Theory (GUT). That is what Amun gives us and we should bear in mind that all the owners of hypocephali were priests and priestesses of Amun-RE, along with their associates. Abraham, viewing the tarry heavens, fund that he "could not see the end thereof" (Abraham 3:12); while Moses, who is given "only an account of this earth," is assured that worlds that now stand are "innumerable. . . unto man; but all things are numbered unto me, for they are mine and I know them (Moses 1:35). As the doctrine of Min-Amun-Re, etc. proclaims, all the universe is full of life, sustained and rejuvenated in and by the One at the Center.  
  
====...one day to a cubit...====
+
[. . .]
 +
 
 +
The central figure of most hypocephali has four rams' heads on one neck. Herodotus was intrigued by the representation of Amun with the head of a ram, as in our figures 1 and 2. First of all, he makes it clear that the Egyptians did not for a moment "think that is th way he really was"<ref>Herodotus, Histories 2.46</ref> And he proceeds to explain that Zeus was determined that not even Hercules should see his true appearance, but he at least granted him the indulgence of "displaying himself wearing the fleece of a ram which he had skinned and beheaded." And that is why the Egyptian images of Zeus have a ram's head. They got the idea from the Ammonite Egyptian colonists, whose name for Zeus was Amun. The center of his cult in Egypt was in Mendes<ref>Ibid., 2.42</ref> Because the Egyptian word for ram, ba, is the same as the wod for soul, the Ram at Mendes also became assocated with both Osiris and Re<ref>Bonnet, Reallexikon, 870.</ref> There are also a four-headed ram-god was thought to combine the attributeds of Re, Shu, Geb, and Osiris, and thenw as extended to include "the ba of every god."<ref>Ibid., Kurt Sethe, Hieroglyphische Urkunden der griechisch-romischen Zeit, Urkunden des agyptiscen Altertums 2 (Leipzig: Hinrichs, 1904-16), 51.</ref>
 +
 
 +
Turning to the famous Mendes Stela, we view "the great god Mendes, the life of Re, the male potency of gods and mankind, who appears in the region of light (or as an akh), the divine issue of the Ran . . . elest son of the Creator of All, who sits on the throne of the first of the gods . . . a prince in the womb, a ruler at the breast whom the potency of his father, the Ram of Mendes, made strong as a king, victorious, etc."<ref>Mendes Stela, in Sethe, Hieroglyphische Urkunden der griechisch-romischen Zeit, 28</ref> This fulsome description is well summed up in Joseph Smith's economical explanation as "the first creation, nearest to the celestial, or residence of God. First in government." (Fac. 2, fig. 1 explanation).
 +
 
 +
We all know thathe ram is the bellwheter who leads out the flock. Aries the Ram leads out the year in the Zodiac--the god Janus (after whom the month January is named) has the horns of Aries the Ram (see p. 397, fig. 48). As Min he always has got's horns and as Min-Amun he is the rejuvenanted prowess of ram, got, and lion . . . he with the four faces on one neck, the 777 ears, millions of eyes, and hundreds of thousands of horns<ref>Das Buch von der Abwehr des Bosen, in Seigfried Schott, Urkunden mythologischen Inhalts, Urkundedn des agyptiscen Alterums 6 (Leipzig: Hinrichs, 1929), 74-75.</ref> As to the horns, Amun shares two types with Khnum as primal king and creator. There are the long, twisted horizontal horns of figure 2 and the new breed which appeared in the New Kingdom of he well-known curly horned beast associated with Amun. And yet the god continues to wear both types of horns together as he does on most of the hypocephali.(fig. 28).<ref>Bonnet, Rallexikon, 868.</ref>
 +
<ref> Nibley, Hugh "One Eternal Round" pp. 236, 238; Neal A. Maxwell Institute for Religious Scholarship: Provo, UT. Edited by Michael Rhodes (2010) PRINT. </ref></blockquote>
 +
 
 +
====The measurement according to celestial time, which celestial time signifies one day to a cubit.<ref>Robert Ritner has called the linking of one day to a cubit "specious" (See A Complete Guide to the Egyptian Papyri pg. 221). This was written before this article from Hollis Johnson. Perhaps this may satisfy some skepticism.</ref>====
 
{{InterpreterBar
 
{{InterpreterBar
 
|link=https://www.mormoninterpreter.com/one-day-to-a-cubit/
 
|link=https://www.mormoninterpreter.com/one-day-to-a-cubit/
Line 33: Line 42:
  
 
====One day in Kolob is equal to a thousand years according to the measurement of this earth====
 
====One day in Kolob is equal to a thousand years according to the measurement of this earth====
Hugh Nibley:
+
Hugh Nibley (and Michael Rhodes):
<blockquote> Another statement of time--"one day in Kolob is equal to a thousand years" (Fac. 2, fig. 1)--demonstrates different times in different systems. That is the great year of the ancients. They worked out all sourts of cycles. The whole Kolob concept suggests that "archaic order: which today is being retrieved through the serious study of the oldest myths, monuments, and idols of the race. "As we follow the clues--stars, numbers," write de Santillana and von Dechend, "a huge framework of connections is revelaed at many levels. One is inside an echoing manifold, where everything responds and everything has a place and a time assigned to it. This is a true edieice. . . a World-Image that first the many levels, nd al of it kept in order by strict measure."<ref> De Santilana and von Decehdn, Hamlet's Mill, 8</ref>  
+
<blockquote> Another statement of time--"one day in Kolob is equal to a thousand years" (Fac. 2, fig. 1)--demonstrates different times in different systems. That is the great year of the ancients. They worked out all sorts of cycles. The whole Kolob concept suggests that "archaic order: which today is being retrieved through the serious study of the oldest myths, monuments, and idols of the race. "As we follow the clues--stars, numbers," write de Santillana and von Dechend, "a huge framework of connections is revealed at many levels. One is inside an echoing manifold, where everything responds and everything has a place and a time assigned to it. This is a true edifice. . . a World-Image that first the many levels, and all of it kept in order by strict measure."<ref> De Santilana and von Dechend, Hamlet's Mill, 8</ref>  
 
The concept of unity and identity so prominent in the Egyptian text is well expressed in the Pearl of Great Price: "And behold, all things have their likeness, and all things which are in the heavens above and things which are of earth, and things which are in the earth, and things which are under the earth, both above and beneath: all things bear record of me" (Moses 6:63). Such is the "echoing manifold," with Kolob in control  
 
The concept of unity and identity so prominent in the Egyptian text is well expressed in the Pearl of Great Price: "And behold, all things have their likeness, and all things which are in the heavens above and things which are of earth, and things which are in the earth, and things which are under the earth, both above and beneath: all things bear record of me" (Moses 6:63). Such is the "echoing manifold," with Kolob in control  
  
In this huge framework of connections, the unit of measurement is, according to de Santillana and von Dechend, "always some form of time."<ref> Ibid.</ref> And it is the same in the Prophet's explanation of the multileveled "firmament of the heavens" which "answers to the measurement of time"--that is,of the revolutions or orbits of the heavenly bodies.<ref> Nibley "One Eternal Round" p. 256</ref></blockquote>
+
In this huge framework of connections, the unit of measurement is, according to de Santillana and von Dechend, "always some form of time."<ref> Ibid.</ref> And it is the same in the Prophet's explanation of the multileveled "firmament of the heavens" which "answers to the measurement of time"--that is, of the revolutions or orbits of the heavenly bodies.<ref> Nibley "One Eternal Round" p. 256</ref></blockquote>
  
 
====….this earth which is called by the Egyptians Jah-oh-eh.====
 
====….this earth which is called by the Egyptians Jah-oh-eh.====
Hugh Nibley:
+
Hugh Nibley (and Michael Rhodes):
 
<blockquote> The Lord used this earth as the basis in the explanation of his creations to both Abraham and Moses (Abraham 3:4-7,9; Moses 1:35-36), "according to the measurement of the earth which is called by the Egyptians Jah-oh-eh" (Fac. 2, figs. 1,4, explanation). This, of course, suggests Jaoel, the angel who visits Abraham in the Apocalypse of Abraham who is easily identified by George H. Box as Jehovah<ref> George H. Box, ed. and trans., The Apocalypse of Abraham (New York: Macmillan, 1918), 16; but this angel was also called Metatron or Enoch; see Hugh Nibley, Abraham in Egypt, 2nd ed., CWHN 14 ( Salt Lake City: Deseret Book and FARMS, 2000), 44, fig 4.</ref>  
 
<blockquote> The Lord used this earth as the basis in the explanation of his creations to both Abraham and Moses (Abraham 3:4-7,9; Moses 1:35-36), "according to the measurement of the earth which is called by the Egyptians Jah-oh-eh" (Fac. 2, figs. 1,4, explanation). This, of course, suggests Jaoel, the angel who visits Abraham in the Apocalypse of Abraham who is easily identified by George H. Box as Jehovah<ref> George H. Box, ed. and trans., The Apocalypse of Abraham (New York: Macmillan, 1918), 16; but this angel was also called Metatron or Enoch; see Hugh Nibley, Abraham in Egypt, 2nd ed., CWHN 14 ( Salt Lake City: Deseret Book and FARMS, 2000), 44, fig 4.</ref>  
 
     What is that mysterious name, Jehovah, and its form?
 
     What is that mysterious name, Jehovah, and its form?
Line 46: Line 55:
 
The form we all know in common use, Jehovah or Yahweh, is held by the Jewish scholars to be "only meant for the masses" and not the true or real Tetragrammaton at al.<ref> Eliyahu Rosh-Pinnah, "The Sefer Yetzirah and the Original Tetragrammaton," JQR 57 (1967): 223.</ref>
 
The form we all know in common use, Jehovah or Yahweh, is held by the Jewish scholars to be "only meant for the masses" and not the true or real Tetragrammaton at al.<ref> Eliyahu Rosh-Pinnah, "The Sefer Yetzirah and the Original Tetragrammaton," JQR 57 (1967): 223.</ref>
 
[. . .]
 
[. . .]
"The original letters of the Tetragrammaton," Phineas Mordell concludes, "were [Hebrew word] instead of [Hebrew word],"<ref>Phineas Mordell, "The Origin of Letters and Numerals According to the Sefer Yezirah," JGR 2 (1912): 567.</ref> which corresponds to Joseph Smith's j-a-o-e (yod, ayin, waw, aleph)<ref>Nibley "One Eternal Round" 256-258
+
"The original letters of the Tetragrammaton," Phineas Mordell concludes, "were [Hebrew word] instead of [Hebrew word],"<ref>Phineas Mordell, "The Origin of Letters and Numerals According to the Sefer Yezirah," JGR 2 (1912): 567.</ref> which corresponds to Joseph Smith's j-a-o-e (yod, ayin, waw, aleph)<ref>Nibley "One Eternal Round" 256-258; Ritner has disputed this thusly: "Apologists Michael Rhodes and John Gee have sought to defend Smith's xplanation of "Jah-oh-eh" as "O the earth", although this is impossible both by phonetics (with three hs) and sense (3ht "arable field" is not used to indicate the whole earth),..." Ritner's assessment seems to lack room for assessing what system of transliteration Joseph is using for this. Also, if we see the figure again it reads "called by the Egyptians" not "meaning, in ancient Egyptian."  What Egyptians are we using as a reference point? What language are they speaking? Regarding Ritner's comments specifically about "arable land", what else does Joseph have to render it as? This etymology from Hugh Nibley disregards Egyptian entirely and proposes one in Semitic roots, moving in a different direction from Gee and Rhodes. This may open better lines of inquiry.</ref></blockquote>
</ref></blockquote>  
+
 
 +
====Stands next to Kolob...the next grand governing creation near to...the place where God resides; holding the key of power (figure 2)====
 +
Hugh Nibley (and Michael Rhodes):
 +
<blockquote>This figure, as Joseph Smith explains it, "stands next to Kolob . . . the next grand governing creation near to . . . the place where God resides" (Fac 2, fig. 2, explanation). Compare this to figure 1, which is "Kolob. . .the first creation, nearest to . . . the residence of God" (Fac 2, fig. 1 explanation). With this gradation of glory goes precedence in time, figure 1 "the first creation." and beyond that, steps in degrees of authority, with figure 2, "te next grand governing creation." Neither one is the center of everything. Figure 1, to be sure, is the center facing in all directions around whom all else revolves. Abraham is told that "Kolob is set. . . to govern all those planets which belong to the same order as that upon which thou standest" (Abraham 3:9). Moses was rebuked for wanting an immediate view of what the ancients and Paul called [Greek script] (pleroma)--absolutely everything (see Colossians 2:9); the Lord told him to hold on and be satisfied with this world, the only world which concerned him at present (Moses 1:30-36).
  
====the key of power (figure 2)====
+
Note also that figure 2, the second in order, is "holding the key of power also pertaining to other planets." On some hypocephali this figure is labeled both Re and Amun-Re, the same power at different levels. He stands at the zenith of the year and the moon of the day at his greatest moment of power--the sun, the ruler of the solar system, but everything about him reminds us that he is motion. What about the rest of his journey, passing through the underworld from west to east? WE are referred to the ley, the Wepwawet, "Opener of the Ways," which lets us out of the underworld.  
The Hebrew word for key (miptah), literally means "opener," while the Egyptian name of the god who bears this staff is Wp-w3.wt (Wepawet) = Opener of the Ways.<ref> Nibley "One Eternal Round" pg. 268</ref> As Hugh Nibley has expressed :
 
<blockquote> The Egyptian is constantly concerned with being checked or blocked (h.sf) in his career. Only real power, the power of the key, can overcome his determined opponents. It shall become apparent that the key plays a major role both in the hypocephalus and in the Prophet's interpretation of it.<ref> Nibley "One Eternal Round" pg. 268</ref></blockquote>
 
  
====Is made to represent God, sitting upon his throne, clothed with power and authority; with a crown of eternal light upon his head (figure 3)====
+
In the small Nash hypocephalus (see appendix 7A), figures 1 and 2 are combined and their identify clearly established: In the top panel, wearing the two tall feathers of Amun, the two-headed figure, but here he is situated on the throne, holding the scepters exactly like the four-headed Amun on other hypocephali <ref>Renouf, "Two-sided Hypocephalus," 144-46.</ref> In this case proximity is the main idea; we are near the center but moving out from it. Among the ancients and moderns, proximity to Divinity both in place and time was a direct measure of blessedness. This "Kolob" ideas is set forth vividly in the Book of Abraham: "the name of the great one is Kolob, because it is near unto me." (Abraham 3:3). It is "nearest to the celestial, or residence of God" (Fac 2. fig 1, explanation). A most significant feature of figure 2 is the crown the god-figure is wearing combining both ram's horns and the two tall features. It is the Ta-Tjenen crown (see Fac. 3 fig. 1) with the ram's horns that bring Re and Osiris together in a symbol of eternal beginning.<ref>Henri Fankfort, Kingship and te Gods: A Study of Ancient Near Eastern Religion as the Integration of Society and Nature (Chicago: University of Chicago Press, 1948), 202-3</ref>
Hugh Nibley:
+
 
 +
Striding forth boldly on his eternal rounds, figure 2 is designated on a bronze hypocephalus as "Amun Lord of Heaven in his aspect of coming forth."<ref>BM 37330</ref> You will notice that our figure 2 is not "residing" anywhere--he is on the move, right at the top of the circle. His feathers usually touch and often protrude above the confining edge to show him, as one scholar puts it, "here at the vertex of the universe, the Ram comes first of al in order, appearing at the head of the universe and the beginning of light."<ref> Gasto Maspero, "Sur l'ennéade: Bulletin critique de la religion égyptienne," Revue de l'histoire des relgions 25 (1892): 1.</ref> He is by all accounts a true two-faced Janus figure; classical writers, as we have seen, associated Amun;s ram horns with the constellation Aries the Ram, the Opener of the Year<ref>August von Pauly and Georg Wissowa, Paulys Real-Encyclopodiae der classichen Altertumswissenschaft, 1st and 2nd ser., 33 vols. (Stuttgary; Metzler, 1893-1978), 1.2:1855</ref> Let us recall further that some Egyptian inscriptions label our figure 2 as past and future, "I know," and "I shall know," explaining that "the one is Osiris who is Yesterday, and the other is Re who is Tomorrow."<ref>BD 17, English translation in Faulkner, Ancient Egyptian Book of the Dead, 44.</ref>
 +
 
 +
The holy Egyptian feather which Shu wears signifies light traversing the space between heaven and earth and is represented by the god of that name;<ref>Rudolf Anthes, ". . . in seinem Namen und im Sonnenlicht. . .," ZAS 90 (1963):4.</ref> "Its filaments symbolized the rays of the sun."<ref>Alexandre Moret, Le ritual du culte divin journalier en Egypte d'apres les papyrus de Berlin et les textes du temple de Seti ler, a Abydos(Paris: Leroux, 1902), 148-9.</ref> It is te famous atef-crown, designated by Joseph Smith as "emblematical of the grand presidency in heaven," and indeed the two feathers are the prime emblems of celestial light and spirit. Significantly, the shw-feather is not a theological but an astronomical symbol, as Rudolf Anthes sees it; the god's name is never written with the familiar divinity sign; rather it represents the actual sunshine or light and energy that traverses and fills the space between heaven and earth,<ref>Anthes, ". . . in seinem Namen und im Sonnenlich. . .," 4.</ref> a light (to quote Joseph Smith) "pertaining to other planets." The sign of the two feathers enjoyed a very wide range of interpretation among the Egyptian scribes<ref>BD 17, English translation in Faulkner, Ancient Egyptian Book of the Dead, 44.</ref>
 +
 
 +
As to the staff and or scepter, which god carries as his staff of office and the emblem of his power, it is of the utmost importance. It signifies specifically the power to move or progress. It is the standard of the dog Wepwawet, whose image appears on it--the faithful dog who leads his majesty into the realm of the unknown. "The true character of Wepwawet is still far from being clearly defined, by the Pyramid texts show him intimately related to the mystery of the rising sun and the resurrection of the king. . . that is why he is in the prow of the solar bark and always leads the parade."<ref>Renouf "Two-Sided Hypocephalus," 144-46, plate 2.</ref> All these ideas come together in the figure on the staff of the character who bears it.
 +
 
 +
'''Staff and Key'''
 +
 
 +
Joseph Smith calls the staff a key, "the key of power". The Hebrew word for key [Hebrew script] (miptah), means literally "opener," while the Egyptian name of the god who bears this staff is Wp-w3.wt = Opener of the Ways. The Egyptian obsession with "the Way" as the course of life here and hereafter, eloquently expressed in the First Psalm and in the preaching of the great high priest Petosiris--"I will show you the Way of Life"--has been discussed at length by scholars such as Oswald Spengler and Gerturd Thausing<ref>Oswalrd Spengler, Der Unergang des Abendlandes: Umrisse eitnerMorphologie der Weltgeschichete, 2 vols. (Leipzig: Braumuller, 1918-22); Gertrud Thausing and Traudl Kertszt-Kratschmann, Das grosse ayptische Totenbuch (Papyrus Reinish) der Papyrussammling der osterreichischen Nationalbibliothick (Cairo: Osterreichisches Kulturinstitut, 1969), 19-22.</ref> Peter is one who has the keys of the kingdom of heaven (Matthew 16:19). Janus also is the god "who holds a staff in his left and a key in his right,"<ref>Ovid, Fasti 1:99</ref> "the one who holds the key (clavigerus),"<ref>Ovid, Fasti 1:228</ref> and the one who is "the gatekeeper of the heavenly courts (coelestins ianitor aulae)."<ref>Ovid. Fasti 1:139</ref> The Egyptian is constantly concerned with being checked or blocked (h.sf) in his career. Only real power, the power of the key, can overcome his determined opponents. It shall become apparent that the key plays a major role both in the hypocephalus and in the Prophet's interpretation of it.<ref> Nibley "One Eternal Round" pg. 268</ref></blockquote>
 +
 
 +
====Is made to represent God, sitting upon his throne, clothed with power and authority; with a crown of eternal light upon his head; representing also the grand Key-words of the Holy Priesthood, as revealed to Adam in the Garden of Eden, as also to Seth, Noah, Melchizedek, Abraham, and all to whom the Priesthood was revealed (figure 3)====
 +
Hugh Nibley (and Michael Rhodes):
 
<blockquote>  
 
<blockquote>  
Joseph Smith's critics have pointed out that his explanation of figure 3 so far--the throne, the sun-crown--would be an easy guess. "Clothed with power," however, is a palpable hit; for the big was-scepter that the king holds stands for "dominion," according to Raymond Faulkner<ref> Raymond O. Faulkner, A Concise Dictionary of Middle Egyptian (Oxford: Oxford University Press, 1962), 54.</ref> and for "dominion, lordship," according to Alan H. Gardiner; <ref>Alan H. Gardiner, Egyptian Grammar, 3rd ed. rev. (Oxford: Oxford University Press, 1957), 559.</ref></blockquote>
+
Joseph Smith's critics have pointed out that his explanation of figure 3 so far--the throne, the sun-crown--would be an easy guess.<ref>Nibley wasn't referring to Ritner, but as a fun example, Robert Ritner wrote the following in "A Complete Guide to the Joseph Smith Papyri": "Smith's statement that Amon (Fig 7.) is 'God sitting upon his throne' was an easy guess." In his references attached to it we read "Also used in the explanation of the intrusive "Fig. 3"</ref> "Clothed with power," however, is a palpable hit; for the big was-scepter that the king holds stands for "dominion," according to Raymond Faulkner<ref> Raymond O. Faulkner, A Concise Dictionary of Middle Egyptian (Oxford: Oxford University Press, 1962), 54.</ref> and for "dominion, lordship," according to Alan H. Gardiner; <ref>Alan H. Gardiner, Egyptian Grammar, 3rd ed. rev. (Oxford: Oxford University Press, 1957), 559. See also Allen, James P. (2014-07-24). Middle Egyptian: An Introduction to the Language and Culture of Hieroglyphs. Cambridge University Press. p. 579. ISBN 9781139917094.; Wikipedia "Was-sceptre" <https://en.wikipedia.org/wiki/Was-sceptre> (accessed 11 November 2018)</ref><ref>Ritner protests that Nibley may not have known that the figure was copied from either papyri on page 219 of his book "A Complete Guide to the Joseph Smith Papyri". Yet, Nibley addressed it first thing as part of his discussion of Figure 3 in "One Eternal Round". While it may be true that Nibley did not acknowledge this in his early work, he most certainly did in later work.</ref>
  
====Answers to the Hebrew word Raukeeyang, signifying expanse, or the firmament of the heavens; also a numerical figure, in Egyptian signifying one thousand====
+
[. . .]
'''FIGURE 4'''
 
Regarding the "expanse, or firmament of the heavens" and its relationship to Sokar, the God depicted here:
 
  
<blockquote> Our figure 4 goes back to the earliest Egyptian iconography, found on an ivory tomb belonging to King Djet (serpen) from the First Dynasty; on it has been drawn "a boat beneath which two wings representing te sky are spread."<ref>Rudolf Anthes, "Egyptian Theology in the Third Millennium B.C.," JNES 18 (1959): 171; a full-scale photo is in Reginald Engelbach, "An Alleged Winged Sun-disck of the First Dynasty," ZAS 65 (1930): 115-16, plate opposite page 114; see Hugh Nibley, "A Pioneer Mother," in Abraham in Egypt, CWHN 14:509, fig. 86.</ref> It is "the sun-sip on the wings of the sky, . . . the two outstretched wings above the earth, the sheltering wings of the sky-god, from which was later derived the idea of the hawk as the sky-god"<ref>Hermann Kees, Der Gotterglaube im alten Agypten (Leipzig: Hinrichs, 1941) 42-43</ref>The inscription with the relief from Edfu adds: "the expanse [circumference] of the heavens is beneath his wings; . . . your body . . . is the sky which is adorned with its stars<ref>Notice the reference to stars here. This ties with Abraham and his covenant seed.</ref> The bird in the boat is sometimes exchanged for the sky-goddess Nut, whose outstretched wings are the symbol of protection, <ref>Alexandre Piankoff, the Shrines of Tut-Ankh-Amon (New York: Pantheon Books, 1955), 96-98</ref>their purpose being to enfold and embrace everything (fig. 30)...for Hans Bonnet the wings show that the woman is the bird "which is usually put in place of her." The best known Egyptian symbol of the sky, she controls not only the cycle of the stars but also that of the sun.<ref>PT 434 (SS784-85)</ref><ref> Nibley "One Eternal Round" pg. 279-81</ref></blockquote>
 
  
Regarding the numerical figure, Hugh Nibley, citing non-LDS Egyptologist Erik Hornung, made the following argument:
+
The main activity in this panel on most hypocephali is the handing around of the wedjat-eye. Thus we find the ape presenting the eye to the sun-god; <ref>Philadelphia 29-86-436.</ref> or the ape in a shrine wearing the solar disk receiving the wedjat from another ape who also wears upon his head yet another solar disk containing another wedjat-eye; <ref> P. Louvre N. 3525 A1/3.</ref> or an ape in the shrine receiving the wedjat-eye; <ref>BM 37095 (formerly 8445a).</ref> or a giant wedjat-eye held by an ibis-headed Thoth and worshipped by two apes; <ref>Cairo SR 10695.</ref> or an ape presenting the eye to the sun-god—facing to the right as in our figure 3—between them a scarab labeled Khepri; <ref>Brussels E 6319 (see appendix 6 of Nibley's book)</ref> or a large ape in a shrine receives the eye from another ape—the infant rides up in the bow; <ref>Brussels E 6319 (see appendix 6 of Nibley's book)</ref> or the sun-god and the apes flank a Khepri-scarab to whom the ape is offering the eye.<ref>Brussels E 6319 (see appendix 6 of Nibley's book)</ref> Quite often the ape offers the eye to the crowned ape in the shrine; <ref>Brussels E 6319 (see appendix 6), P. Louvre N. 3181, P. Louvre N. 3525 A1/3, P. Louvre N. 2526, Edinburgh 1956-48, Leiden AMS 62 (see appendix 5).</ref> the ape and the eye alone in the boat; <ref>Torino 16347.</ref> or the ape in a shrine faced by an ape with two wedjat-eyes.<ref>Ashmolean 1982-1095; Leiden AMS 62 (see appendix 5).</ref> Thus Khepri, the scarab, changes his position from hypocephalus to hypocephalus with the greatest freedom—he moves all over the place, as is proper for one who is the very embodiment of change.
 +
We go on with these seemingly endless permutations to indicate what a hive of activity figure 3 represents, a lively exchange of position and powers with a full display of “power and authority, . . . the grand Key-words of the Holy Priesthood” being passed around, here represented as visual symbols, as we know it descended to “Seth, Noah, Melchizedek, Abraham, and all to whom the Priesthood was revealed.”
 +
The cast of characters is very limited in the Joseph Smith version, but the idea is fully represented by the presence of the most potent symbol of all, the two wedjat-eyes flanking Horus-Re. They must be considered in the context of figure 7...<ref>Nibley "One Eternal Round" Ch 7 "Reading the Hypocephalus: Part 1, Fiures 1-4, 22-23"</ref></blockquote>
 +
 
 +
====Answers to the Hebrew word Raukeeyang, signifying expanse, or the firmament of the heavens; also a numerical figure, in Egyptian signifying one thousand; answering to the measuring of time of Oliblish, which is equal to Kolob in its revolution and in its measuring of time (Figure 4)====
 +
 
 +
Hugh Nibley (and Michael Rhodes):
 +
 
 +
<blockquote> Our figure 4 goes back to the earliest Egyptian iconography, found on an ivory tomb belonging to King Djet (serpent) from the First Dynasty; on it has been drawn "a boat beneath which two wings representing the sky are spread."<ref>Rudolf Anthes, "Egyptian Theology in the Third Millennium B.C.," JNES 18 (1959): 171; a full-scale photo is in Reginald Engelbach, "An Alleged Winged Sun-disk of the First Dynasty," ZAS 65 (1930): 115-16, plate opposite page 114; see Hugh Nibley, "A Pioneer Mother," in Abraham in Egypt, CWHN 14:509, fig. 86.</ref> It is "the sun-sip on the wings of the sky, . . . the two outstretched wings above the earth, the sheltering wings of the sky-god, from which was later derived the idea of the hawk as the sky-god"<ref>Hermann Kees, Der Gotterglaube im alten Agypten (Leipzig: Hinrichs, 1941) 42-43</ref>The inscription with the relief from Edfu adds: "the expanse [circumference] of the heavens is beneath his wings; . . . your body . . . is the sky which is adorned with its stars<ref>Notice the reference to stars here. This ties with Abraham and his covenant seed.</ref> The bird in the boat is sometimes exchanged for the sky-goddess Nut, whose outstretched wings are the symbol of protection, <ref>Alexandre Piankoff, the Shrines of Tut-Ankh-Amon (New York: Pantheon Books, 1955), 96-98</ref>their purpose being to enfold and embrace everything (fig. 30)...for Hans Bonnet the wings show that the woman is the bird "which is usually put in place of her." The best-known Egyptian symbol of the sky, she controls not only the cycle of the stars but also that of the sun.<ref>PT 434 (SS784-85)</ref><ref> Nibley "One Eternal Round" pg. 279-81; </ref>
 +
 
 +
[. . .]
 +
 
 +
So far so good for Smith; all that seems quite obvious, but what about the next statement: "Also a numerical figure in Egyptian signifying 1000"? Professional Egyptologists have protested to the author that there is nothing known to them to justify attributing the number 1000 to figure 4. Yet here, if ever, the Joseph Smith explanation is right on target. The woman Nu, the sky-goddess of the outspread wings, has a peculiar epithet, and it is the same name as that given to the ship in figure 4, which means literally "a Thousand Are Her Souls," or "The One with a Thousand Souls,"<ref>Erik Hornung, Tal der Konige, 135; see Nibley, Abraham in Egypt, CWHN 14:65, fig. 12</ref> The Thousand Souls are stars, and she is so called because the stars are her children; a Pyramid Text says, "You (Nut) have taken to yourself ever god who has his own ship ([Egyptian script] hb3) and have instructed them in the starry sky ([Egyptian script] h3-b3=s) so that they will not depart from you as stars. Do not let NN be moved far from you in your name of 'Heaven' ([Egyptian script] hr.t)
  
<blockquote> So far so good for Smith; all that seems quite obvious, but what about the next statement: "Also a numerical figure in Egyptian signifying 1000"? Professional Egyptologists have protested to the author that there is nothing known to them to justify attributing the number 1000 to figure 4. Yet here, if ever, the Joseph Smith explanation is right on target. The woman Nu, the sky-goddess of the outspread wings, has a peculiar epithet, and it is the same name as that given to the ship in figure 4, which means literally "a Thousand Are Her Souls," or "The One with a Thousand Souls,"<ref>Erik Hornung, Tal der Konige, 135; see Nibley, Abraham in Egypt, CWHN 14:65, fig. 12</ref> The Thousand Souls are stars, and she is so called because the stars are herchildren; a Pyramid Text says, "You (Nut) have taken to yourself ever god who has his own ship ([egyptian script] hb3) and have instructed them in the starry sky ([egyptian script] h3-b3=s) so that they will not depart from you as stars. Do not let NN be moved far from you in your name of 'Heaven' ([Egyptian script] hr.t)
+
And this takes us to Abraham. Not only was he asked to count the stars as a metaphorical measure of his progeny, but he meets us in Genesis 15:5 as both an observer ([Hebrew script] habbet) and counter ([Hebrew script] li-spor) of the stars. We also see him, according to Facsimile 3, "reasoning upon the principles of Astronomy, in the king's court" (Fac. 3, fig 1, explanation). Reasoning and counting are the same word in the famous stele of a great princess, a daughter of Psameticus II, which reads, "Behold ye Khabasu of Heliopolis . . . the God is born. . . one who can take the helm. Osiris Anchnesneferibre (the princess) will reckon (calculate, reason, w3d) with you concerning the secret which is in the Great Hall (w3s.t, of the palace) of the gods and will take along Osiris in his Ship of a Thousand, even with the two heads, so that by it he can mount to heaven and to the counter heaven."<ref>Constantin E. Sander-Hansen, Die relgiosen Texte auf dem Sarg der Anchenesferibre (Cop enhagen: Levin and Munksgaard, 1937), 36-37.</ref> This is our figure 4. Even more impressive is the way the Joseph Smith explanation seems to parrot everything the Worterbuch says about the Khabasu. According to the Worterbuch, h3-b3. s means: "Literally, 'a thousand-fold is her [the goddess of heaven] souls,' as a collective designation for the host of stars."<ref> Wb 3:230, 1.</ref><ref> Nibley "One Eternal Round" pg. 282-83; This argument has been disputed by Robert Ritner. He rebuts thusly "Nibley sought to defend Joseph Smith's 'explanation' of this figure by reference to the solar boat (not the depicted Sokar barque) as being 'a ship of 1000 cubits' and thus 'a numeral figure, in Egyptian signifying a thousand' Neither barque, however, is used in Egyptian texts as a 'numeral figure' and the more common designation of the solar boat is in fact 'the barque of millions'--not 1000. As elsewhere, Nibley did not evaluate Smith's statements objectively; but sought out any possible defense, no matter how farfetched." Ritner's assessment does not seem to take into account Nibley's statements about Nut even though "One Eternal Round" is cited here where Ritner makes his counterargument. Here we have examples from Nibley where the barque was, in a sense, used as a numeral figure to mean "A thousand.." in Egyptian texts--as an epithet of the Goddess Nut</ref>
  
And this takes us to Abraham. Not only was he asked to count the stars as a metaphorical measure of his progeny, but he meets us in Genesis 15:5 as both an observer ([Hebrew script] habbet) and counter ([Hebrew script] li-spor) of the stars. We also see him, according to Facsimile 3, "reasoning upon the principles of Astronomy, in the king's court" (Fac. 3, fig 1, explanation). Reasoning and counting are te same word in the famous stele of a great princess, a daughter of Psameticus II, which reads, "Behold ye Khabasu of Heliopolis . . . the God is born . .v. one who can take the helm. Osiris Anchnesneferibre (the princess) will reckon (calculate, reason, w3d) with you concerning the secret which is in the Great Hall (w3s.t, of the palace) of the gods and will take along Osiris in his Ship of a Thousand, even with the two heads, so that by it he can mount to heaven and to the counterheaven."<ref>Constantin E. Sander-Hansen, Die relgiosen Texte auf dem Sarg der Anchenesferibre (Cop enhagen: Levin and Munksgaard, 1937), 36-37.</ref> This is our figure 4. Even more impressive is the way the Joseph Smith explanation seems to parrot everything the Worterbuch says about the Khabasu. According to the Worterbuch, h3-b3. s means: "Literally, 'a thousand fold is her [the goddess of heaven] souls,' as a collective designation for the host of stars, the stars."<ref> Wb 3:230, 1.</ref><ref> Nibley "One Eternal Round" pg. 282-83</ref></blockquote>
+
[. . .]
  
====...answering to the measuring of the time...====
 
Hugh Nibley:
 
<blockquote>
 
 
The third most significant thing about figure 4, according to Joseph Smith, is its office in "answering to the measure of time," namely by the cycles and revolutions of the heavens. Since all these figures mark both the completion and initiation of various life cycles, time is of the essence and the figure of the Sokar-ship is the most important agent of coordination. It was at the sed-festival or jubilee that the bird was borne forth in procession on his ship. It is specifically figure 4 that coordinates the funereal with the astral them by virtue by its "calendrical" significance--that is, as the primordial measurement of time.<ref>Philippe Derchain, "La peche de l'oreil et les mysteres d'Osiris a Dendara," RdE (1963): 13-14</ref><ref>Nibley "One Eternal Round" pg. 283"</ref></blockquote>
 
The third most significant thing about figure 4, according to Joseph Smith, is its office in "answering to the measure of time," namely by the cycles and revolutions of the heavens. Since all these figures mark both the completion and initiation of various life cycles, time is of the essence and the figure of the Sokar-ship is the most important agent of coordination. It was at the sed-festival or jubilee that the bird was borne forth in procession on his ship. It is specifically figure 4 that coordinates the funereal with the astral them by virtue by its "calendrical" significance--that is, as the primordial measurement of time.<ref>Philippe Derchain, "La peche de l'oreil et les mysteres d'Osiris a Dendara," RdE (1963): 13-14</ref><ref>Nibley "One Eternal Round" pg. 283"</ref></blockquote>
  
 
====...and is said by the Egyptians to represent the Sun (Fig 5)====
 
====...and is said by the Egyptians to represent the Sun (Fig 5)====
Hugh Nibley:
+
Hugh Nibley (and Michael Rhodes):
<blockquote> But Joseph Smith tells us that figure 5 is the Sun. No problem. From being the mother of the Sun with the new born disk rising between her horns--a design in evidence in prehistoric times--it was an easy step to becoming the Sun itself<ref>Bonnet, Reallexikon der agyptischen Religionsgeschichte, 281.</ref>. As early as the Old Kingdom, the cow appears "as the female equivalent of Re."<ref>Ibid., 280</ref> At Opet in Luxor, where the Mother-Cow was worshiped as Hathor of Coptus, she was called the Sun of the Two Worlds--that is, both of Horus the son of Osiris and Amun-Re the Sun of Thebes<ref>Maxence de Rochemonteix, "Le temple d'Apte ou est engendre l'Osiris thebain," in Oeuvres diverses, ed. Gaston Maspero, BE 3 (Paris:Leroux, 1894),258.</ref>Her horns, flanked by the same two feathers that our figure 2 wears as the Sun at the zenith, showing that the cow resurrects the Sun as well as the human race. <ref>Gustave Jequier, Considerations sur les religions egyptiennes (Neuchatel: Baconniere, 1946),219.</ref></blockquote>
+
<blockquote> But Joseph Smith tells us that figure 5 is the Sun. No problem. From being the mother of the Sun with the new born disk rising between her horns--a design in evidence in prehistoric times--it was an easy step to becoming the Sun itself<ref>Bonnet, Reallexikon der agyptischen Religionsgeschichte, 281.</ref>. As early as the Old Kingdom, the cow appears "as the female equivalent of Re."<ref>Ibid., 280</ref> At Opet in Luxor, where the Mother-Cow was worshiped as Hathor of Coptus, she was called the Sun of the Two Worlds--that is, both of Horus the son of Osiris and Amun-Re the Sun of Thebes<ref>Maxence de Rochemonteix, "Le temple d'Apte ou est engendre l'Osiris thebain," in Oeuvres diverses, ed. Gaston Maspero, BE 3 (Paris:Leroux, 1894),258.</ref>Her horns, flanked by the same two feathers that our figure 2 wears as the Sun at the zenith, showing that the cow resurrects the Sun as well as the human race. <ref>Gustave Jequier, Considerations sur les religions egyptiennes (Neuchatel: Baconniere, 1946),219.</ref><ref>Nibley "One Eternal Round"</ref></blockquote>
  
====Kokaubeam (Fig 5)====
+
====...which governs fifteen other fixed planes or stars...====
John Tvedtnes:
+
Hugh Nibley (and Michael Rhodes):
  
<blockquote>Abraham 3:13 defines Kokob as “star” and Kokaubeam as “stars, or all the great lights, which were in the firmament of heaven.” When first published in the Times & Seasons, the passage read “Kolob” in error. They’d written Kolob so many times that the typesetter thought that’s what belonged here. The manuscripts however have Kokob corresponding to the Hebrew word that we have written here kōkāb and denotes in the one singular and the other in the plural. The plural is also found two other times in the Book of Abraham and it’s called in Facsimile 2, Fig. 5 and also Abraham 3:16 it lists Kokaubeam or kōkābīm in Hebrew. The correct pronunciation (inaudible) means “the” so it’s “the stars.” Lundquist noted that one of the deities in Deimel’s list was Kakob meaning “star”. Similar, Kakkab is the name of one of the god’s mentioned in the Ebla records discovered in northwestern Syria.</blockquote>
+
<blockquote>In his discussion of the Book of the Cow in the royal tombs, Charles Maystre pays special attention to the Tutankhamun version, the most carefully executed of the Heavenly Cow pictures (see p. 324, fig. 38): “Along the belly of the cow are stars.” <ref>Charles Maystre, “Le Livre de la Vache du Ciel dans les tombeaux de la Vallée des Rois,” Bulletin de l’Institut français d’archéologie orientale 40 (1941): 109.</ref> These are set in a line; at the front end is the familiar solar-bark bearing the symbol of Shemsu, the following or entourage, and at the rear end of the line is another ship bearing the same emblem. Both boats are sailing in the same direction through the heavens. The number of stars varies among the cows; in the instructions contained in the tomb of Seti I, it is specified that there should be nine, though the three groups of three strokes each  can, and often do, signify an innumerable host.<ref>Naville, “La destruction des hommes par les dieux,” plate B, col. 45.</ref>
 +
The number here plainly belongs to the cow, but what about the fifteen stars? “The number fifteen cannot be derived from any holy number of the Egyptians,” writes Hermann Kees, and yet it presents “a surprising analogy” with the fifteen false doors in the great wall of the Djoser complex at Saqqara, which was designed by the great Imhotep himself, with the Festival of the Heavens of Heliopolis in mind, following the older pattern of the White Wall of the Thinite palace of Memphis.<ref> Hermann Kees, “Die 15 Scheintüren am Grabmal,” ZÄS 88 (1963): 110–11.</ref> Strangely enough this number fifteen keeps turning up all along, and nobody knows why, though it always represents passing from one gate or door to another. Long after Djoser, Amenophis III built a wall for his royal circumambulation at the sed-festival, marking the inauguration of a new age of the world; it also had fifteen gates.<ref>Ibid., 111.</ref> In the funeral papyrus of Amonemsaf, in a scene in which the hawk comes from the starry heavens to minister to the mummy, “the illustration . . . is separated into two halves by the sign of the sky  ” —the heaven above and the tomb below (fig. 31). Between the mummy and the depths and the hawk in the heaven, there are twelve red dots and fifteen stars.<ref>Alexandre Piankoff, “The Funerary Papyrus of the Shieldbearer Amon-m-saf in the Louvre Museum,” Egyptian Religion 3 (1935): 134</ref> Again, twelve is the best-known astral number, but why fifteen? One Egyptologist wrote years ago that “The author’s impression is that these [the fifteen stars] are purely theological features without astronomical significance.” <ref>Herbert Chatley, “Egyptian Astronomy,” JEA 26 (1941): 125.</ref> “The ‘great Ennead which resides in Karnak’ swelled to fifteen members.” <ref>W. J. Murnane, United with Eternity: A Concise Guide to the Monuments of Medinet Habu (Cairo: Oriental Institute, University of Chicago, 1980), 61–62.</ref> It was structured in three phases: one became two, two became four, four became eight, which is fifteen altogether. Étienne Drioton associates this with the dividing of eternity in the drama of Edfu into years, years into months, and months into fifteen units, these units into hours, and they into minutes.<ref>Étienne Drioton, Le texte dramatique d’Edfu (Cairo: IFAO, 1949), 23.</ref>
 +
Furthermore the idea of fifteen mediums or conveyors may be represented on the fifteen limestone tablets of the Book of the Underworld found by Theodore Davies and Howard Carter in the tomb of Hatshepsut.<ref>Described by Siegfried Schott, Die Schrift der verborgenen Kammer in Königsgräbern der 18. Dynastie: Gliederung, Titel und Vermerke (Göttingen: Vandenhoeck & Ruprecht, 1958), 323.</ref> Let us recall that the basic idea, as Joseph Smith explains it, is that “fifteen other fixed planets or stars” act as a medium for conveying “the governing power.” Coming down to a later time of the Egyptian gnostics, we find the fifteen helpers (παραστάται, parastatai) of the seven virgins of light in the Coptic Pistis Sophia, who “expanded themselves in the regions of the twelve saviors and the rest of the angels of the midst; each according to its glory will rule with me in an inheritance of light.” <ref>Pistis Sophia, 86, 194.</ref> In an equally interesting Coptic text, 2 Jeu, there are also fifteen parastatai who serve with “the seven virgins of the light” who are with the “father of all fatherhoods, . . . in the Treasury of the Light.” <ref>Second Jeu 44, in Carl Schmidt, The Books of Jeu and the Untitled Text in the Bruce Codex (Leiden: Brill, 1978), 105.</ref>. They are the light virgins who are “in the middle or the midst (μέσος, mesos),meaning that they are go-betweens.<ref>Pistis Sophia, 86, 194.</ref> Parastatai are those who conduct one through a series of ordinances, just as the fifteen stars receive and convey light.
 +
In all this we never get away from cosmology and astronomy. In the Old Slavonic Secrets of Enoch, “four great stars, each having one thousand stars under it,” go with “fifteen myriads of angels,” <re>Secrets of Enoch 11:4–5.</ref> all moving, to quote Joseph Smith, together with “the Moon, the Earth, and the Sun in their annual revolutions.” In the Book of Gates, one of those mystery texts reserved for the most secret rites of the greatest kings, we see, as Gustave Jéquier describes it, “a long horizontal bar with a bull’s head at either end, supported by eight mummiform personages, and carrying seven other genies” (fig. 32).<ref>Jéquier, Considérations sur les religions égyptiennes, 172–73.</ref>These fifteen figures are designated as carriers or bearers (f.w), and the bar is the body of the bull extended to give them all room. A rope enters the bull’s mouth at one end and exits at the other, and on the end of this rope there is a sun-bark being towed by a total of eight personages designated as stars.<ref> Ibid.</ref> Just as the ship travels through the fifteen conveyor stars on the underside of the cow, the two heads of the bull make him interchangeable with the two-headed lion Aker, or Ruty, who guards the gate. “Aker,” writes Jéquier, “is a personification of the gates of the earth by which the sun must pass in the evening and in the morning.” <ref> Ibid., 173; see Hugh Nibley, The Message of the Joseph Smith Papyri: An Egyptian Endowment, 2nd ed., CWHN 16 (Salt Lake City: Deseret Book and FARMS, 2005), 394, fig. 126.</ref> He is the same as the two-headed Janus, the gate-god, whom we have already met.<ref>Nibley, "One Eternal Round"</ref></blockquote>
  
 
====Earth in its four quarters (Fig 6)====
 
====Earth in its four quarters (Fig 6)====
Line 90: Line 121:
 
The four children of Horus played a very important role in the funeral works of the early dynasties; they originally represented the four supports of heaven, but very soon each was regarded as the god of one of the four quarters of the earth, and also of that quarter of the heavens which was above it.<ref>E.A. Wallis Budge, Egyptian Magic (New Hyde Park, NY: University Books, 1958),90-91</ref></blockquote>
 
The four children of Horus played a very important role in the funeral works of the early dynasties; they originally represented the four supports of heaven, but very soon each was regarded as the god of one of the four quarters of the earth, and also of that quarter of the heavens which was above it.<ref>E.A. Wallis Budge, Egyptian Magic (New Hyde Park, NY: University Books, 1958),90-91</ref></blockquote>
  
LDS Scholars have also cited Maarten Raven, a non-LDS Egyptologist whose work also supports Joseph's explanation. <ref>Maarten J. Raven, “Egyptian Concepts of the Orientation of the Human Body,” in Proceedings of the Ninth International Congress of Egyptologists (2007), 2:1569–70.</ref>
+
LDS Scholars have also cited the work of Maarten Raven, a non-LDS Egyptologist, to support Joseph's explanation. <ref>Maarten J. Raven, “Egyptian Concepts of the Orientation of the Human Body,” in Proceedings of the Ninth International Congress of Egyptologists (2007), 2:1569–70. Ritner has sought to dismiss this explanation thusly "In keeping with Smith's interpretation of the hypocephalus as an astronomical document, he explains the four sons of Horus (Fig. 6) as simply 'the earth in its four quarters.' '''While any group of four can have directional relevance''', that is hardly the pivotal significance of these protectors of the embalmed viscera (lungs, liver, stomach, and intestines)." Ritner recognizes that many, if not most, Egyptologists recognize that these four gods can have directional significance. The four Sons of Horus were associated with cardinal direction points , so that Hapi was the north, Imsety the south, Duamutef the east and Qebehsenuef the west. (Lurker, Manfred (1974). Lexikon der Götter und Symbole der alten Ägypter (in German). Bern: Scherz. ) [https://en.wikipedia.org/wiki/Four_sons_of_Horus].</ref>
  
 
====Represents god sitting upon his throne, revealing through the heavens the grand Key-words of the Priesthood; as, also, the sign of the Holy Ghost unto Abraham, in the form of a dove (Figure 7)====
 
====Represents god sitting upon his throne, revealing through the heavens the grand Key-words of the Priesthood; as, also, the sign of the Holy Ghost unto Abraham, in the form of a dove (Figure 7)====
 +
The God Min appears to have been "made to represent God sitting upon his throne" while the wedjat eye was used to represent the power of the Priesthood, and Nehebkau, the bird-like/serpent-like God being made to represent the Holy Ghost. See John Gee's discussion above for the adaptation of birds to represent angels or other heavenly messengers:
  
 +
Hugh Nibley (and Michael Rhodes):
 +
<blockquote>
 
The epithet of Min is "He of the upraised hand," and his identification is the flail and the erect phallus with which he appears in the oldest known Egyptian statue--he is always in human form<ref>Bonnet, Reallexikon der agyptischen Religionsgeschichte, 461.</ref> They are also signs of procreation. Min was intimately related to the god Amun, and Amun was probably derived from him.<ref>Gerald A. Wainwright, "The Emblem of Min," JEA 17 (1931): 185</ref>. "Amun is the other self of Min; . . . his high priest was called 'The Opener of the Gates of Heaven,' while the high priest of Min at Letopolis was the 'Opener of the Mouth upon the Earth,' i.e., the mortals here on earth upon whom the heavenly power was conferred."<ref> Wainwright, Emblem of Min," 170.</ref> The Greeks and Romans associated him with Pan and Priapus <ref>Ibid., 464.</ref> Min is the "Creator god who made the heaven and brought forth the gods, who made the earth and created men . . . and who keeps all things alive."<ref>Ibid., 463</ref>  
 
The epithet of Min is "He of the upraised hand," and his identification is the flail and the erect phallus with which he appears in the oldest known Egyptian statue--he is always in human form<ref>Bonnet, Reallexikon der agyptischen Religionsgeschichte, 461.</ref> They are also signs of procreation. Min was intimately related to the god Amun, and Amun was probably derived from him.<ref>Gerald A. Wainwright, "The Emblem of Min," JEA 17 (1931): 185</ref>. "Amun is the other self of Min; . . . his high priest was called 'The Opener of the Gates of Heaven,' while the high priest of Min at Letopolis was the 'Opener of the Mouth upon the Earth,' i.e., the mortals here on earth upon whom the heavenly power was conferred."<ref> Wainwright, Emblem of Min," 170.</ref> The Greeks and Romans associated him with Pan and Priapus <ref>Ibid., 464.</ref> Min is the "Creator god who made the heaven and brought forth the gods, who made the earth and created men . . . and who keeps all things alive."<ref>Ibid., 463</ref>  
  
Birds are frequently used as messengers in Egyptian inscriptions. See under Facsimile 1 for our discussion of it.
+
[. . .]
  
The wedjat eye that is between the birds hands and being passed to Min is representative of power.
+
But most especially the eye belongs to the king and to kingship. Osiris gets the eye back after Horus has rescued it for him; he needs it to rule the kingdom below as Horus and Re need it to rule on earth and in heaven. <ref>PT 356 (579)</ref> The eye was, according to Griffiths, the Eye of Horus<ref>Griffiths, "Remarks on the Mythology of the Eyes of Horus," 191.</ref>
Hugh Nibley:
 
<blockquote>
 
But most especially the eye belongs to the king and to kingship. Osiris gets the eye back after Horus has rescued it for him; he needs it to rule the kingdom below as Horus and Re need it to rule on earth and in haven.<ref>PT 356 (579)</ref> The eye was, according to Griffiths, the Eye of Horus<ref>Griffiths, "Remarks on the Mythology of the Eyes of Horus," 191.</ref>
 
  
The eye fills the king completely;<ref>PT 198 (114)</ref> it purifies him<ref>PT 258 (308); 259 (312). </ref> it gives him special knowledge, visionary power. <ref>PT 638 (1805)</ref> It exalts the king and places him at the head of the Greater and Lesser Councils.<ref>PT 468(901); 523 (1231).</ref> [. . .] In the Pyramid Texts the fusion of his king's nature with God of heaven takes place when his statue is crowned with the moon-eye of Upper Egypt and the sun-eye of Lower Egypt, and then is anointed, passing throuhg the middle chamber of stars  into a room in which heaven was scenically depicted."<ref>Spiegel  
+
The eye fills the king completely;<ref>PT 198 (114)</ref> it purifies him<ref>PT 258 (308); 259 (312). </ref> it gives him special knowledge, visionary power. <ref>PT 638 (1805)</ref> It exalts the king and places him at the head of the Greater and Lesser Councils.<ref>PT 468(901); 523 (1231).</ref> [. . .] In the Pyramid Texts the fusion of his king's nature with God of heaven takes place when his statue is crowned with the moon-eye of Upper Egypt and the sun-eye of Lower Egypt, and then is anointed, passing through the middle chamber of stars  into a room in which heaven was scenically depicted."<ref>Spiegel  
 
"Das Auferstehungritual der Unaspyramide," 389-93; PT 301 (451); see Nibley, Message of the Joseph Smith Papyri, CWHN 16:119, fig. 30.</ref> It is the ultimate supreme power over men and gods <ref> PT 200-221 (195)</ref> Its power is especially protective, encircling the king<ref>PT 200-221 (195)</ref> [. . .] With all its power, the wedjat is an important element in the ordinances. The functions of the wedjat-eye are combined in the anointing oil, both as the oil of heating that revives the smitten hero<ref>PT 74-76 (51)</ref> and as the very precious oil used in the ordinances of anointing the brow or breast, specifically to bestow authority ad power.<ref>PT 621 (1754); 637  (1803); 639 (1809)</ref> It is the anointing which transforms the nature of the individual.<ref>PT 72-73 (50); 74-76 (51); 77 (52)</ref> All this is in the wedjat eye itself, which by anointing imparts soul and body, restoration, joy, and thankfulness with its obligation of obedience.<ref>PT 687 (2074-77)</ref>  
 
"Das Auferstehungritual der Unaspyramide," 389-93; PT 301 (451); see Nibley, Message of the Joseph Smith Papyri, CWHN 16:119, fig. 30.</ref> It is the ultimate supreme power over men and gods <ref> PT 200-221 (195)</ref> Its power is especially protective, encircling the king<ref>PT 200-221 (195)</ref> [. . .] With all its power, the wedjat is an important element in the ordinances. The functions of the wedjat-eye are combined in the anointing oil, both as the oil of heating that revives the smitten hero<ref>PT 74-76 (51)</ref> and as the very precious oil used in the ordinances of anointing the brow or breast, specifically to bestow authority ad power.<ref>PT 621 (1754); 637  (1803); 639 (1809)</ref> It is the anointing which transforms the nature of the individual.<ref>PT 72-73 (50); 74-76 (51); 77 (52)</ref> All this is in the wedjat eye itself, which by anointing imparts soul and body, restoration, joy, and thankfulness with its obligation of obedience.<ref>PT 687 (2074-77)</ref>  
  
 
In other ordinances it is the food of the sacrament, the wedjat-eye is the power of the bread which fills, revives, and strengthens the king.<ref>PT 199 (115)</ref> It is the strength given by sacramental food.<ref>PT186-90 (107-8) and PT 197 (113)</ref>
 
In other ordinances it is the food of the sacrament, the wedjat-eye is the power of the bread which fills, revives, and strengthens the king.<ref>PT 199 (115)</ref> It is the strength given by sacramental food.<ref>PT186-90 (107-8) and PT 197 (113)</ref>
 
[. . .]
 
[. . .]
By now it should be clear to any Latter-day Saint reader that the elusive wedjat-eye, intimately familar yet strangely elusive, is a symbol of that equally common all-but-indefinable power called the priesthood.</blockquote>
+
By now it should be clear to any Latter-day Saint reader that the elusive wedjat-eye, intimately familiar yet strangely elusive, is a symbol of that equally common all-but-indefinable power called the priesthood.<ref>Nibley "One Eternal Round"</ref></blockquote>
 
 
Joseph's explanation fits nicely with these symbols.
 
  
 
====Contains writings that cannot be revealed unto the world; but is to be had in the Holy Temple of God; Ought not to be revealed at the present time; Also; Also. If the world can find out these numbers, so let it be. Amen (Figures 8-11)====
 
====Contains writings that cannot be revealed unto the world; but is to be had in the Holy Temple of God; Ought not to be revealed at the present time; Also; Also. If the world can find out these numbers, so let it be. Amen (Figures 8-11)====
Hugh Nibley:
+
Hugh Nibley (and Michael Rhodes):
 
<blockquote>
 
<blockquote>
 
Joseph Smith explained that the three lines of text, figures 8-11, contain "writings that cannot be revealed unto the world; but is to be had in the Holy Temple of God" and "ought not to be revealed at the present time." These lines contain a prayer to Osiris, the god of the dead, to grant life to the owner of this hypocephalus. A common theme of all Egyptian funerary literature is the resurrection of the dead and their glorification and deification in the afterlife, which is certainly a central element of our own temple ceremony.  
 
Joseph Smith explained that the three lines of text, figures 8-11, contain "writings that cannot be revealed unto the world; but is to be had in the Holy Temple of God" and "ought not to be revealed at the present time." These lines contain a prayer to Osiris, the god of the dead, to grant life to the owner of this hypocephalus. A common theme of all Egyptian funerary literature is the resurrection of the dead and their glorification and deification in the afterlife, which is certainly a central element of our own temple ceremony.  
  
 
There follows a transcription, transliteration, and translation of figures 8-11.
 
There follows a transcription, transliteration, and translation of figures 8-11.
(11)[Series of Egyptian hieroglyphs from figure 11] (10) [Series of Egyptian hieroglyphs from figure 10] (9) [Series of Egyptian hieroglyps from figure 9] (8)[Series of Egyptian hieroglyphs from figure 8]  
+
(11) [Series of Egyptian hieroglyphs from figure 11] (10) [Series of Egyptian hieroglyphs from figure 10] (9) [Series of Egyptian hieroglyphs from figure 9] (8) [Series of Egyptian hieroglyphs from figure 8]  
 
(11) I ntr sdr. m sp (10) tpy, ntr '3 nb p.t, t3, (9) dw3.t, mw=f '3, (8) d3 'nh b3 Wsir Ssq.  
 
(11) I ntr sdr. m sp (10) tpy, ntr '3 nb p.t, t3, (9) dw3.t, mw=f '3, (8) d3 'nh b3 Wsir Ssq.  
(11) O God of the Sleeping Ones<ref>I.e., the dead; see Wb 4:392, 9.</ref> from the time of (10) the creation.<ref>Literally "the first time." See Wb 3:438, 1.</ref> O Mighty God, Lord of heaven and earth, (9) of the hereafter, and of his great waters,<ref>The primeval ocean from which the sun rose on the day of creation and which surrounds the earth. See Henri Frankfort, Ancient Egyptian Religion (New York: Harper Torchbooks, 1961),114. A similar phrase is found in one of the Demotic magical papyri, r-wn n=y p3 t3 r-wn n=y t3 tw3.t r-wn n=y p3 nwn, "Open the earth for me, open the netherworld for me, open the primeval waters for me." F. Llewellyn Griffith and Herbert Thompson, The Demotic Magical Papyrus of London and Leiden (London: Grevel, 1905), line I 5.</ref> (8) may the soul of Osiris<ref>On the identification of the dead with Osiris, see Frankfort, Ancient Egyptian Religion, 103-5</ref>Shishaq<ref>Shishaq or Sheshonq was the name of several Egyptian pharaohs of the Twenty-first Dynasty, the Libyan Dynasty.</ref> be granted life.
+
(11) O God of the Sleeping Ones<ref>I.e., the dead; see Wb 4:392, 9.</ref> from the time of (10) the creation.<ref>Literally "the first time." See Wb 3:438, 1.</ref> O Mighty God, Lord of heaven and earth, (9) of the hereafter, and of his great waters,<ref>The primeval ocean from which the sun rose on the day of creation and which surrounds the earth. See Henri Frankfort, Ancient Egyptian Religion (New York: Harper Torchbooks, 1961),114. A similar phrase is found in one of the Demotic magical papyri, r-wn n=y p3 t3 r-wn n=y t3 tw3.t r-wn n=y p3 nwn, "Open the earth for me, open the netherworld for me, open the primeval waters for me." F. Llewellyn Griffith and Herbert Thompson, The Demotic Magical Papyrus of London and Leiden (London: Grevel, 1905), line I 5.</ref> (8) may the soul of Osiris<ref>On the identification of the dead with Osiris, see Frankfort, Ancient Egyptian Religion, 103-5; Robert Ritner in his translation renders "soul" as "ba-spirit" (See "A Complete Guide to the Joseph Smith Papyri" pg. 222) the translation is accurate, yet distinction does not bare significant weight to interpretation. "Ba" was simply apart of the Egyptian pronunciation for "soul". The ancient Egyptians believed that a soul (kꜣ/bꜣ; Egypt. pron. ka/ba) was made up of many parts[https://en.wikipedia.org/wiki/Ancient_Egyptian_concept_of_the_soul].</ref>Shishaq<ref>Shishaq or Sheshonq was the name of several Egyptian pharaohs of the Twenty-first Dynasty, the Libyan Dynasty.</ref> be granted life.
  
As stated above, this is a prayer or plea of Shishaq, the ownder of the hypocephalus, to Osiris, the god of the dead, who is the Lord of all things, to grant him eternal life.<ref> Nibley "One Eternal Round" pg. 327</ref></blockquote>
+
As stated above, this is a prayer or plea of Shishaq, the owner of the hypocephalus, to Osiris, the god of the dead, who is the Lord of all things, to grant him eternal life.<ref> Nibley "One Eternal Round" pg. 327</ref></blockquote>
 +
 
 +
====Figures 16, 17...will be given in the own due time of the Lord====
 +
Hugh Nibley (and Michael Rhodes):
 +
<blockquote>There are other such sentiments, but none of them at all like that in the Joseph Smith hypocephalus. These two passages take the form of half a dozen formulae in the various hypocephali consistent with their position at the very bottom of the world: (1) The theme of light coming into the darkness, the best known of all; (2) a warning to one in danger; (3) the assurance “you are secure” (written with the djed-column); (4) the stock flame-under-the-head statement; (5) snatches from conventional statements found in hypocephali in general such as “you go where you want,” etc. (6) But the Joseph Smith readings are the most interesting, backed up as they are by the carefully composed Leiden and Ashmolean hypocephali.
 +
The clue to these two lines is a recent study by Hans Goedicke. Most of line 17 is taken up by the significant expression b pn ḥnʿ nb=f. This particular formula, as Goedicke points out, citing examples, emphasizes “the continuous company between man and his ba . . . [and] reflects a continuous link.”<ref>Hans Goedicke, The Report about the Dispute of a Man with His Ba, papyrus Berlin 3024 (Baltimore: Johns Hopkins Press, 1970), 33.</ref> For example: “When I hurry to the caves, may my ba be still with me”<ref> CT 249 in Adriaan de Buck, The Egptian Coffen Texts, 7 vols. (Chicago: University of Chicago Press, 1935-61), 3:323g-324a</ref>and “While I sleep my ba watches over my body.”<ref>CT 229, in de Buck, Egyptan Coffin Texts, 3:296i</ref> Just so Re watches over the sleeping Osiris. The idea of course is that the ba continues after death “to remain in contact with its former lord.” To achieve that unbroken contact between spirit and body against the moment of resurrection is of course the main purpose of the hypocephalus; or as Goedicke puts it, “the implicit motive for the desired contact between ba and corpse is the hope for a reunification of the disintegrated person in a physical rebirth.” <ref>Goedicke, Report about the Dispute of a Man with His Ba, 33</ref>
 +
The subject of Goedicke’s special study is the famous “Lebensmüde,” or as Goedicke renders it, “The Report about the Dispute of the Man with his Ba” —perhaps the most impressive of all Egyptian theological compositions. Though the idea here treated “occurs repeatedly in all periods of Egyptian culture,” the “Lebensmüde” is the earliest and most moving exposition.<ref>Ibid. 58</ref>
 +
But the Joseph Smith version carries the theme farther. The whole inscription reads:
 +
(17)  (16)
 +
(17) ḥ.t th.t, n nth.tw, (16) nn tḥ.tw b pn ḥnʿ nbf m dw.t ḏ.t
 +
(17) May this tomb never be desecrated,<ref>Emending o nn th.tw h3.t tn. Similar passages, but even more garble, are found in th British Museum hyocephalid BM 35875 (8445c), BM 37908 (3445f), and BM 37909(8445d).</ref> (16) and may this soul and its owner never be desecrated in the hereafter.
 +
The word ḥ.t refers to the tomb <ref>Wb 3:12, 19; Faulkner, Concise Dictionary of MIddle Egytian, 160.</ref> or, more precisely, the tomb shaft.<ref> Rainer Hannig, Grosses Handworterbuch Agyptisch-Beutsch: Die Sprache der Pharaonen (2800-950 v. Chr.) (Mainz: von Zabern, 1995), 503.</ref>Most hypocephali bear the name of their owner at least once, and it is his tomb that this passage is supposed to protect. The next word is thἰ, to overstep, transgress; desecrate.<ref>Ibid., 937</ref> The concern here is that the deceased body which is in the tomb as well as his spirit (ba) which is in the netherworld, not be disturbed or desecrated, which would prevent their ultimate reuniting in a resurrection. As Coffin Texts explain, all the parts of the physical body will be brought together with the soul, and the person will be “reestablished” in his original form.<ref>CT 20, in de Buck, Egyptian Coffin Txts, 1:56-58</ref> The eternity motif means that the person is not stuck in the netherworld forever, but rather the body and spirit are reunited, and the person can “live forever.” <ref>PT 11 (8)</ref><ref>Nibley "One Eternal Round"</ref></blockquote>
 +
 
 +
====Figure...18...will be given in the own due time of the Lord====
 +
Hugh Nibley (and Michael Rhodes):
 +
<blockquote>Another tradition suggested by the rim is the significance of the solar circle as the year-circle or shenen, the course of the sun in his rounds. Alan H. Gardiner explains, “Strictly speaking, the loop would be round. . . . The Egyptians called the cartouche šnw from a verb-stem šnἰ, ‘encircle,’ and it seems not unlikely that the idea was to represent the king as ‘ruler of all that which is encircled by the sun,’ a frequently expressed notion.”<ref>Alan H. Gardiner, Egyptian Grammar, 3rd ed. (Oxford: Oxford University Press, 1957),74.</ref>
 +
The commonest Egyptian sign for eternity is read nḥḥ , a solar disk between two twisted hanks of hemp. ḥḥ is the common root for “many,” “very many,” “a million”; with the sun-disk (the time element) added it means eternal and eternally in the end formula of countless inscriptions, nḥḥ ḥnʿ ḏ.t, “for time and eternity.”<ref>See Nibley, Message of the Joseph Smith Papri, CWHN 16:228-32; 229, fig 68.</ref> The point of all this is that the combination of šn and ḥḥ with vowels supplied can be read as Shinehah, which according to Joseph Smith designates “Shinehah, which is the sun,” with reference to its motion relative to that of the other heavenly bodies (Abraham 3:13) and signifies “one eternal round.”
 +
The Amun inscriptions encircling the hypocephali deal with the transmission of heat, light, and power. In the Meux hypocephalus rim inscription Amun states, “I have come forth from the wedjat-eye. . . . I have come forth from the netherworld with Re (the sun),” <ref> Burssels E 6319</ref> the hypocephalus itself being the means by which light and heat are transmitted from their celestial source to the individual whose head rests upon it. Amun is commonly implored in the rim inscriptions to “turn his face toward the body of so-and-so,” <ref>E.g., Florence hyocepalus, Bologna B2025, BM 36188 (8445e), P. Louvre AF 1936</ref> to warm and preserve it through the virtue of Re. The hypocephalus as a transmitter of both heat and light was to make available to one in the netherworld the life-giving force of the sun.<ref>Nibley "One Eternal Round"</ref></blockquote>
  
 
====Figures.....19, 20, and 21 will be given in in the own due time of the Lord====
 
====Figures.....19, 20, and 21 will be given in in the own due time of the Lord====
Hugh Nibley:
+
Hugh Nibley (and Michael Rhodes):
 
<blockquote>
 
<blockquote>
 
The text found in figures 19-21 are as follows:
 
The text found in figures 19-21 are as follows:
(21)[Egyptian hieroglyphs] (20)[Egyptian hieroglyphs] (19)[Egyptian hieroglyphs]
+
(21) [Egyptian hieroglyphs] (20) [Egyptian hieroglyphs] (19) [Egyptian hieroglyphs]
  
(21)iw wnn=k (20) m ntr pf (19) dd.wy.
+
(21) iw wnn=k (20) m ntr pf (19) dd.wy.
  
(21) You shall ever be (20) as that God, (19) the Busirian.<ref>dd.wy is a disbe adjective formation of Dd.w, Busiris, a cult center of Osiris in the Dleta, and thus used as an epithet of Osiris. Cf. Wb 5:630, 7.</ref>
+
(21) You shall ever be (20) as that God, (19) the Busirian. <ref>dd.wy is a disbe adjective formation of Dd.w, Busiris, a cult center of Osiris in the Delta, and thus used as an epithet of Osiris. Cf. Wb 5:630, 7.</ref>
 +
 
 +
This continues the overall theme of the hypocephalus, and indeed Egyptian funerary literature in general. The deceased is promised that he will be like Osiris--he will be resurrected and live eternally as a god.<ref>Nibley "One Eternal Round" pg. 345; This translation is retained in Ritner "A Complete Guide to the Joseph Smith Papyri" pg. 220. </ref></blockquote>
 +
 
 +
====This planet receives its power through the medium of Kli-flos-is-es, or Hah-ko-kau-beam, the stars represented by numbers 22 and 23, receiving light from the revolutions of Kolob.====
 +
Hugh Nibley (and Michael Rhodes):
 +
<blockquote>Inseparable from our figure 1 are the reverential apes on either side of him—figures 22 and 23 (see appendix 2). On other hypocephali they are sometimes two in number, sometimes four, six, or eight; sometimes standing and sometimes seated. They are identified as stars. As early as the Pyramid Texts, they are designated as “the Beloved Sons” of Sothis/Sirius, the brightest star in the sky.<ref>PT 569 (1437)</ref>. It is assumed that the position of the apes shows them warming their hands as they greet the rays of the rising sun after the cold desert night and seeming to shield their eyes from the glory of the sunrise. So they are stars receiving light from a greater star, as Joseph Smith’s explanation declares. There was nothing to indicate to Joseph Smith that they are stars, yet along with the Pyramid Texts we have a vignette in the 17th chapter of the Book of the Dead in which each of these apes is preceded by a star (fig. 22).<ref>BD 17; see vignette in Raymond O. Faulkner, The Ancient Egyptian Book of he Dead, rev. ed. (New York: Macmillan, 1985)</ref>
 +
 
 +
[. . .]
 +
 
 +
Horopollo tells us that the special office of the apes was to function as timekeepers or time-reckoners.<ref>Horapollo, Hieroglyphica 1.16</ref>The sitting cynocephalus, according to him, at each equinox urinates twelve times a day and twelve times a night; during the rest of the year he gives a cry twelve times a day on the hour, every hour.<ref>Ibid.</ref>The seated ape, then, is in charge of both the water clock and scales (fig. 24). In the Ptolemaic period the Egyptians wrote the determinative of the word for “hour,” wnw.t , by a heart-shaped plumb bob suspended from a carpenter’s square (see p. 253, fig. 26).<ref>Wb 1:316; see Ludwig Borchardt, Die altagyptische Zeitmessung, Band 1, Liefeung B of Die Geschicht der Zeitmessung und derUhren, hrg. Ernst von Bassermann-Jordan (Berlin: de Gruyetr, 1920), 52B, Abb. 24 (plumb bob glyphs).</ref>. The purpose of this was to make sure that the post supporting the scale was perfectly upright, as is shown in Joseph Smith Papyrus IV. This new element suggests that the apes which face each other, worshipping the central figure both on the morning side and the evening side on all hypocephali (Fac. 2, figs. 22 and 23), establish among other things a sense of perfect balance in the universe—time, space, and matter are all measurably related. Finally, each of our apes is crowned with a disk and a crescent, the meeting of the sun and the moon at the New Moon marking the beginning of the month; the best-known office of the cynocephalus apes is in representing Thoth as the moon-god (see color plate 2).<ref>Nibley "One Eternal Round"</ref></blockquote>
 +
 
 +
====Hah-Ko-kau-beam (Fig 23)====
 +
John Tvedtnes:
 +
 
 +
<blockquote>Abraham 3:13 defines Kokob as “star” and Kokaubeam as “stars, or all the great lights, which were in the firmament of heaven.” When first published in the Times & Seasons, the passage read “Kolob” in error. They’d written Kolob so many times that the typesetter thought that’s what belonged here. The manuscripts however have Kokob corresponding to the Hebrew word that we have written here kōkāb and denotes in the one singular and the other in the plural. The plural is also found two other times in the Book of Abraham and it’s called in Facsimile 2, Fig. 5 and also Abraham 3:16 it lists Kokaubeam or kōkābīm in Hebrew. The correct pronunciation (inaudible) means “the” so it’s “the stars.” Lundquist noted that one of the deities in Deimel’s list was Kakob meaning “star”. Similar, Kakkab is the name of one of the god’s mentioned in the Ebla records discovered in northwestern Syria.</blockquote>
  
This continues the overall theme of the hypocephalus, and indeed Egyptian funerary literature in general. The deceased is promised that he will be like Osiris--he will be resurrected and live eternally as a god.<ref>Nibley "One Eternal Round" pg. 345</ref></blockquote>
 
  
====Abraham and the Temple Endowment (Themes of Facisimile 2)====
+
====Abraham and the Temple Endowment (Themes of Facsimile 2 and especially figures 8-20)====
 
Hugh Nibley likened the temple endowment to the version of the Book of Breathings Made by Isis contained in the Joseph Smith papyri. The document is organized as follows:
 
Hugh Nibley likened the temple endowment to the version of the Book of Breathings Made by Isis contained in the Joseph Smith papyri. The document is organized as follows:
 
*The purpose of the document is given.
 
*The purpose of the document is given.
Line 152: Line 212:
 
*The gods command that all doors be open to the individual  
 
*The gods command that all doors be open to the individual  
 
*An offering formula is recited
 
*An offering formula is recited
*Different gods are addressed, and the individual states that he is free from various sins. "He gave bread to te hungry, water to the thirsty, and clothing to the naked.
+
*Different gods are addressed, and the individual states that he is free from various sins. "He gave bread to the hungry, water to the thirsty, and clothing to the naked.
 
*The individual is commanded to enter the next life with all the privileges of the gods.
 
*The individual is commanded to enter the next life with all the privileges of the gods.
 
*Instructions for the deposition of the document are given <ref> Nibley, Hugh ''The Message of the Joseph Smith Papyri': An Egyptian Endowment. 2d ed. Salt Lake City: Deseret Book; Provo, Utah: FARMS, 2002</ref>
 
*Instructions for the deposition of the document are given <ref> Nibley, Hugh ''The Message of the Joseph Smith Papyri': An Egyptian Endowment. 2d ed. Salt Lake City: Deseret Book; Provo, Utah: FARMS, 2002</ref>

Revision as of 03:57, 29 December 2018

FAIR Answers—back to home page

Question: Did Joseph Smith identify any elements of Facsimile 2 that are in agreement with what Egyptologists say they represent?

FIGURE 1

Kolob...nearest to the celestial, or the residence of God.

John Tvedtnes:

The star named Kolob, and it’s called a star, I know that there are some websites that say the Mormons are crazy they think God lives on a planet called Kolob. The passage never says it’s a planet and never says God lives there either; it says it’s closest to where he lives. Anyway, the star named Kolob is so-called “because it is near unto me” (Abr. 3:3) or near “the residence” (Fac. 2, Fig. 1) or “throne of God” (Abr. 3:9). Facsimile 2, Fig. 1 describes it as “nearest to the celestial.” This explanation is attractive because it creates a wordplay in the Book of Abraham; a feature known from the underlying Hebrew of both the Old Testament and the Book of Mormon. The wordplay being between “near” and “Kolob” because in fact the word for Kolob can mean near; there are several possibilities to explain and I’m going to talk about those now.

Janne Sjodahl was the first to compare the name with the Arabic qalb “core, marrow, heart, intelligence”, however because ‘l’ and ‘r’ often interchange in Semitic languages, one should also note Arabic QRB “proximity, near, midst” which is cognate to Hebrew qārōb “near” or “close.” Robert F. Smith prefers the latter and notes that it appears in the sense of “near one” as a title of God in Psalm 119:151 where it parallels the word qedem which means the “primeval one” or the “ancient one” (that’s in verse 152). Smith notes that the cognate Ugaritic qurb often refers to the dwelling place of El, the chief God, in the Canaanite pantheon in the expression “midst of the source of the two deeps” where the word rendered “midst” is in fact this same word qurb meaning “near”. Another possible Hebrew etymology is the Hebrew KLB “dog” originally pronounced kalb just as it is in Arabic. This is used to denote the star Regulus in Arabic while the Syriac, which is also kalb denotes the star Sirius, the brightest star in the heavens. There’s a wonderful article that Dan Peterson, and John Gee, and Matt Roper (I think), were the three who (if I left something off that you can fill it in later) but they wrote a really nice article on Kolob and its place in the sky and what it meant for Abraham.4 In Arabic, this term KLB “dog” also denotes the constellation of Canis Major which is Latin meaning “Great Dog”, we call it the Big Dipper but that’s not what is was called anciently, as the brightest star in the constellation of the Big Dipper, Sirius is called Alpha Canis Majoris which is “number one big dog” or top dog, I guess. Another name for the star is Canicula, a Latin word for ‘Little Dog’. Akkadian sources call Sirius (inaudible) the “dog of the sun”. In ancient Egypt the Nile began to rise at the helical rising of Sirius, that is when it came up just before the sun and bringing the annual torrent of Nile water laden with rich volcanic soil from the south and depositing it on the cultivated land. I should mention by the way you notice how the one has a ‘q’ the other has a ‘k’? That’s very important, at least in Arabic, it’s not as important in Hebrew but I always try to get my Hebrew students to pronounce the two differently. In Israel they pronounce the two ‘k’ just that- it’s just like a regular ‘k’ in English. But in ancient times they were pronounced quite differently. One is pronounced way in the back of the throat, the other is pronounced farther up and in Arabic they make a big distinction and my reasoning with my students was, if you don’t make the distinction and you speak in Arabic and you want to tell a girl, “I love you with all of my heart” which is the word that’s coming up next, you don’t want to end up saying “I love you with all of my dog.” (Laughter) I think that struck a note with most of them.

So, this is the other one I want to have QLB which is “heart” in Arabic. There are some Egyptian equivalents to that, I didn’t put them up here. There’s a couple of cognates that are related directly to that. In the Sumerian text known as the Descent of Inanna, one of the more ancient texts from the Middle East, the goddess Inana goes down into the Underworld to free her husband Dumuzi who is the god who brings rain during the season of rain, and on the way back to heaven she stops at a place called Kulab which is designated as a tree of some sort. We don’t know why this happens there but there Dumuzi gets to sit on his throne and puts on his royal apparel which he has not been wearing while he’s been in prison.

signifying the first creation...First in government, the last pertaining to measurement of time

Hugh Nibley (and Michael Rhodes):

Figure one is the God Amun. As Peter L. Renouf saw, "the great God, Lord of Heaven, the giver of light, lighting up the Heavens and earth with his rays . . . to give life to the universe."[1].. . .The staff held by figure 1, Amun, is a combination of the djed-column, signifying abiding firmness and stability, the was-scepter of power and authority, and he ankh-staff of life --the three things on which all certainty depends. But before all else we are dealing with creation and birth. So, it is enlightening to note that the Prophet Joseph begins his explanation of this figure as "the first creation, nearest to the celestial, or the residence of God. First in government, the last pertaining to measurement of time," etc. It is not the celestial residence, but it is near to it, as the center of one great system, the large system known to Abraham, and though he is aware of the existence of worlds without number, he sees only a particular segment. Indeed, Moses was sharply rebuked when he asked to see it all: "Worlds without number have I created . . . for mine own purpose; . . . here is wisdom and it remaineth in me" (Moses 1:33,31). Moses is informed that he has all that he can handle in his own earthly mission and meekly apologizes, "Be merciful unto they servant, O God, and tell me concerning this earth, . . . and then they servant will be content" (Moses 1:36).

The most sublime aspect of Amun is the way he brings all things together in one, just as science today looks for the Grand Unifying Theory (GUT). That is what Amun gives us and we should bear in mind that all the owners of hypocephali were priests and priestesses of Amun-RE, along with their associates. Abraham, viewing the tarry heavens, fund that he "could not see the end thereof" (Abraham 3:12); while Moses, who is given "only an account of this earth," is assured that worlds that now stand are "innumerable. . . unto man; but all things are numbered unto me, for they are mine and I know them (Moses 1:35). As the doctrine of Min-Amun-Re, etc. proclaims, all the universe is full of life, sustained and rejuvenated in and by the One at the Center.

[. . .]

The central figure of most hypocephali has four rams' heads on one neck. Herodotus was intrigued by the representation of Amun with the head of a ram, as in our figures 1 and 2. First of all, he makes it clear that the Egyptians did not for a moment "think that is th way he really was"[2] And he proceeds to explain that Zeus was determined that not even Hercules should see his true appearance, but he at least granted him the indulgence of "displaying himself wearing the fleece of a ram which he had skinned and beheaded." And that is why the Egyptian images of Zeus have a ram's head. They got the idea from the Ammonite Egyptian colonists, whose name for Zeus was Amun. The center of his cult in Egypt was in Mendes[3] Because the Egyptian word for ram, ba, is the same as the wod for soul, the Ram at Mendes also became assocated with both Osiris and Re[4] There are also a four-headed ram-god was thought to combine the attributeds of Re, Shu, Geb, and Osiris, and thenw as extended to include "the ba of every god."[5]

Turning to the famous Mendes Stela, we view "the great god Mendes, the life of Re, the male potency of gods and mankind, who appears in the region of light (or as an akh), the divine issue of the Ran . . . elest son of the Creator of All, who sits on the throne of the first of the gods . . . a prince in the womb, a ruler at the breast whom the potency of his father, the Ram of Mendes, made strong as a king, victorious, etc."[6] This fulsome description is well summed up in Joseph Smith's economical explanation as "the first creation, nearest to the celestial, or residence of God. First in government." (Fac. 2, fig. 1 explanation).

We all know thathe ram is the bellwheter who leads out the flock. Aries the Ram leads out the year in the Zodiac--the god Janus (after whom the month January is named) has the horns of Aries the Ram (see p. 397, fig. 48). As Min he always has got's horns and as Min-Amun he is the rejuvenanted prowess of ram, got, and lion . . . he with the four faces on one neck, the 777 ears, millions of eyes, and hundreds of thousands of horns[7] As to the horns, Amun shares two types with Khnum as primal king and creator. There are the long, twisted horizontal horns of figure 2 and the new breed which appeared in the New Kingdom of he well-known curly horned beast associated with Amun. And yet the god continues to wear both types of horns together as he does on most of the hypocephali.(fig. 28).[8]

[9]

The measurement according to celestial time, which celestial time signifies one day to a cubit.[10]

Interpreter: A Journal of Latter-day Saint Faith and Scholarship, "One Day to a Cubit"

Hollis R. Johnson,  Interpreter: A Journal of Latter-day Saint Faith and Scholarship, (2013)
An investigation of ancient astronomy shows that a cubit was used not only as the metric of length (elbow to fingertip) but also as a metric of angle in the sky. That suggested a new interpretation that fits naturally: the brightest celestial object—the sun—moves eastward around the sky, relative to the stars, during the course of a year, by one cubit per day!.

Click here to view the complete article

One day in Kolob is equal to a thousand years according to the measurement of this earth

Hugh Nibley (and Michael Rhodes):

Another statement of time--"one day in Kolob is equal to a thousand years" (Fac. 2, fig. 1)--demonstrates different times in different systems. That is the great year of the ancients. They worked out all sorts of cycles. The whole Kolob concept suggests that "archaic order: which today is being retrieved through the serious study of the oldest myths, monuments, and idols of the race. "As we follow the clues--stars, numbers," write de Santillana and von Dechend, "a huge framework of connections is revealed at many levels. One is inside an echoing manifold, where everything responds and everything has a place and a time assigned to it. This is a true edifice. . . a World-Image that first the many levels, and all of it kept in order by strict measure."[11]

The concept of unity and identity so prominent in the Egyptian text is well expressed in the Pearl of Great Price: "And behold, all things have their likeness, and all things which are in the heavens above and things which are of earth, and things which are in the earth, and things which are under the earth, both above and beneath: all things bear record of me" (Moses 6:63). Such is the "echoing manifold," with Kolob in control

In this huge framework of connections, the unit of measurement is, according to de Santillana and von Dechend, "always some form of time."[12] And it is the same in the Prophet's explanation of the multileveled "firmament of the heavens" which "answers to the measurement of time"--that is, of the revolutions or orbits of the heavenly bodies.[13]

….this earth which is called by the Egyptians Jah-oh-eh.

Hugh Nibley (and Michael Rhodes):

The Lord used this earth as the basis in the explanation of his creations to both Abraham and Moses (Abraham 3:4-7,9; Moses 1:35-36), "according to the measurement of the earth which is called by the Egyptians Jah-oh-eh" (Fac. 2, figs. 1,4, explanation). This, of course, suggests Jaoel, the angel who visits Abraham in the Apocalypse of Abraham who is easily identified by George H. Box as Jehovah[14]

What is that mysterious name, Jehovah, and its form? [. . .] The form we all know in common use, Jehovah or Yahweh, is held by the Jewish scholars to be "only meant for the masses" and not the true or real Tetragrammaton at al.[15] [. . .]

"The original letters of the Tetragrammaton," Phineas Mordell concludes, "were [Hebrew word] instead of [Hebrew word],"[16] which corresponds to Joseph Smith's j-a-o-e (yod, ayin, waw, aleph)[17]

Stands next to Kolob...the next grand governing creation near to...the place where God resides; holding the key of power (figure 2)

Hugh Nibley (and Michael Rhodes):

This figure, as Joseph Smith explains it, "stands next to Kolob . . . the next grand governing creation near to . . . the place where God resides" (Fac 2, fig. 2, explanation). Compare this to figure 1, which is "Kolob. . .the first creation, nearest to . . . the residence of God" (Fac 2, fig. 1 explanation). With this gradation of glory goes precedence in time, figure 1 "the first creation." and beyond that, steps in degrees of authority, with figure 2, "te next grand governing creation." Neither one is the center of everything. Figure 1, to be sure, is the center facing in all directions around whom all else revolves. Abraham is told that "Kolob is set. . . to govern all those planets which belong to the same order as that upon which thou standest" (Abraham 3:9). Moses was rebuked for wanting an immediate view of what the ancients and Paul called [Greek script] (pleroma)--absolutely everything (see Colossians 2:9); the Lord told him to hold on and be satisfied with this world, the only world which concerned him at present (Moses 1:30-36).

Note also that figure 2, the second in order, is "holding the key of power also pertaining to other planets." On some hypocephali this figure is labeled both Re and Amun-Re, the same power at different levels. He stands at the zenith of the year and the moon of the day at his greatest moment of power--the sun, the ruler of the solar system, but everything about him reminds us that he is motion. What about the rest of his journey, passing through the underworld from west to east? WE are referred to the ley, the Wepwawet, "Opener of the Ways," which lets us out of the underworld.

In the small Nash hypocephalus (see appendix 7A), figures 1 and 2 are combined and their identify clearly established: In the top panel, wearing the two tall feathers of Amun, the two-headed figure, but here he is situated on the throne, holding the scepters exactly like the four-headed Amun on other hypocephali [18] In this case proximity is the main idea; we are near the center but moving out from it. Among the ancients and moderns, proximity to Divinity both in place and time was a direct measure of blessedness. This "Kolob" ideas is set forth vividly in the Book of Abraham: "the name of the great one is Kolob, because it is near unto me." (Abraham 3:3). It is "nearest to the celestial, or residence of God" (Fac 2. fig 1, explanation). A most significant feature of figure 2 is the crown the god-figure is wearing combining both ram's horns and the two tall features. It is the Ta-Tjenen crown (see Fac. 3 fig. 1) with the ram's horns that bring Re and Osiris together in a symbol of eternal beginning.[19]

Striding forth boldly on his eternal rounds, figure 2 is designated on a bronze hypocephalus as "Amun Lord of Heaven in his aspect of coming forth."[20] You will notice that our figure 2 is not "residing" anywhere--he is on the move, right at the top of the circle. His feathers usually touch and often protrude above the confining edge to show him, as one scholar puts it, "here at the vertex of the universe, the Ram comes first of al in order, appearing at the head of the universe and the beginning of light."[21] He is by all accounts a true two-faced Janus figure; classical writers, as we have seen, associated Amun;s ram horns with the constellation Aries the Ram, the Opener of the Year[22] Let us recall further that some Egyptian inscriptions label our figure 2 as past and future, "I know," and "I shall know," explaining that "the one is Osiris who is Yesterday, and the other is Re who is Tomorrow."[23]

The holy Egyptian feather which Shu wears signifies light traversing the space between heaven and earth and is represented by the god of that name;[24] "Its filaments symbolized the rays of the sun."[25] It is te famous atef-crown, designated by Joseph Smith as "emblematical of the grand presidency in heaven," and indeed the two feathers are the prime emblems of celestial light and spirit. Significantly, the shw-feather is not a theological but an astronomical symbol, as Rudolf Anthes sees it; the god's name is never written with the familiar divinity sign; rather it represents the actual sunshine or light and energy that traverses and fills the space between heaven and earth,[26] a light (to quote Joseph Smith) "pertaining to other planets." The sign of the two feathers enjoyed a very wide range of interpretation among the Egyptian scribes[27]

As to the staff and or scepter, which god carries as his staff of office and the emblem of his power, it is of the utmost importance. It signifies specifically the power to move or progress. It is the standard of the dog Wepwawet, whose image appears on it--the faithful dog who leads his majesty into the realm of the unknown. "The true character of Wepwawet is still far from being clearly defined, by the Pyramid texts show him intimately related to the mystery of the rising sun and the resurrection of the king. . . that is why he is in the prow of the solar bark and always leads the parade."[28] All these ideas come together in the figure on the staff of the character who bears it.

Staff and Key

Joseph Smith calls the staff a key, "the key of power". The Hebrew word for key [Hebrew script] (miptah), means literally "opener," while the Egyptian name of the god who bears this staff is Wp-w3.wt = Opener of the Ways. The Egyptian obsession with "the Way" as the course of life here and hereafter, eloquently expressed in the First Psalm and in the preaching of the great high priest Petosiris--"I will show you the Way of Life"--has been discussed at length by scholars such as Oswald Spengler and Gerturd Thausing[29] Peter is one who has the keys of the kingdom of heaven (Matthew 16:19). Janus also is the god "who holds a staff in his left and a key in his right,"[30] "the one who holds the key (clavigerus),"[31] and the one who is "the gatekeeper of the heavenly courts (coelestins ianitor aulae)."[32] The Egyptian is constantly concerned with being checked or blocked (h.sf) in his career. Only real power, the power of the key, can overcome his determined opponents. It shall become apparent that the key plays a major role both in the hypocephalus and in the Prophet's interpretation of it.[33]

Is made to represent God, sitting upon his throne, clothed with power and authority; with a crown of eternal light upon his head; representing also the grand Key-words of the Holy Priesthood, as revealed to Adam in the Garden of Eden, as also to Seth, Noah, Melchizedek, Abraham, and all to whom the Priesthood was revealed (figure 3)

Hugh Nibley (and Michael Rhodes):

Joseph Smith's critics have pointed out that his explanation of figure 3 so far--the throne, the sun-crown--would be an easy guess.[34] "Clothed with power," however, is a palpable hit; for the big was-scepter that the king holds stands for "dominion," according to Raymond Faulkner[35] and for "dominion, lordship," according to Alan H. Gardiner; [36][37]

[. . .]


The main activity in this panel on most hypocephali is the handing around of the wedjat-eye. Thus we find the ape presenting the eye to the sun-god; [38] or the ape in a shrine wearing the solar disk receiving the wedjat from another ape who also wears upon his head yet another solar disk containing another wedjat-eye; [39] or an ape in the shrine receiving the wedjat-eye; [40] or a giant wedjat-eye held by an ibis-headed Thoth and worshipped by two apes; [41] or an ape presenting the eye to the sun-god—facing to the right as in our figure 3—between them a scarab labeled Khepri; [42] or a large ape in a shrine receives the eye from another ape—the infant rides up in the bow; [43] or the sun-god and the apes flank a Khepri-scarab to whom the ape is offering the eye.[44] Quite often the ape offers the eye to the crowned ape in the shrine; [45] the ape and the eye alone in the boat; [46] or the ape in a shrine faced by an ape with two wedjat-eyes.[47] Thus Khepri, the scarab, changes his position from hypocephalus to hypocephalus with the greatest freedom—he moves all over the place, as is proper for one who is the very embodiment of change. We go on with these seemingly endless permutations to indicate what a hive of activity figure 3 represents, a lively exchange of position and powers with a full display of “power and authority, . . . the grand Key-words of the Holy Priesthood” being passed around, here represented as visual symbols, as we know it descended to “Seth, Noah, Melchizedek, Abraham, and all to whom the Priesthood was revealed.”

The cast of characters is very limited in the Joseph Smith version, but the idea is fully represented by the presence of the most potent symbol of all, the two wedjat-eyes flanking Horus-Re. They must be considered in the context of figure 7...[48]

Answers to the Hebrew word Raukeeyang, signifying expanse, or the firmament of the heavens; also a numerical figure, in Egyptian signifying one thousand; answering to the measuring of time of Oliblish, which is equal to Kolob in its revolution and in its measuring of time (Figure 4)

Hugh Nibley (and Michael Rhodes):

Our figure 4 goes back to the earliest Egyptian iconography, found on an ivory tomb belonging to King Djet (serpent) from the First Dynasty; on it has been drawn "a boat beneath which two wings representing the sky are spread."[49] It is "the sun-sip on the wings of the sky, . . . the two outstretched wings above the earth, the sheltering wings of the sky-god, from which was later derived the idea of the hawk as the sky-god"[50]The inscription with the relief from Edfu adds: "the expanse [circumference] of the heavens is beneath his wings; . . . your body . . . is the sky which is adorned with its stars[51] The bird in the boat is sometimes exchanged for the sky-goddess Nut, whose outstretched wings are the symbol of protection, [52]their purpose being to enfold and embrace everything (fig. 30)...for Hans Bonnet the wings show that the woman is the bird "which is usually put in place of her." The best-known Egyptian symbol of the sky, she controls not only the cycle of the stars but also that of the sun.[53][54]

[. . .]

So far so good for Smith; all that seems quite obvious, but what about the next statement: "Also a numerical figure in Egyptian signifying 1000"? Professional Egyptologists have protested to the author that there is nothing known to them to justify attributing the number 1000 to figure 4. Yet here, if ever, the Joseph Smith explanation is right on target. The woman Nu, the sky-goddess of the outspread wings, has a peculiar epithet, and it is the same name as that given to the ship in figure 4, which means literally "a Thousand Are Her Souls," or "The One with a Thousand Souls,"[55] The Thousand Souls are stars, and she is so called because the stars are her children; a Pyramid Text says, "You (Nut) have taken to yourself ever god who has his own ship ([Egyptian script] hb3) and have instructed them in the starry sky ([Egyptian script] h3-b3=s) so that they will not depart from you as stars. Do not let NN be moved far from you in your name of 'Heaven' ([Egyptian script] hr.t)

And this takes us to Abraham. Not only was he asked to count the stars as a metaphorical measure of his progeny, but he meets us in Genesis 15:5 as both an observer ([Hebrew script] habbet) and counter ([Hebrew script] li-spor) of the stars. We also see him, according to Facsimile 3, "reasoning upon the principles of Astronomy, in the king's court" (Fac. 3, fig 1, explanation). Reasoning and counting are the same word in the famous stele of a great princess, a daughter of Psameticus II, which reads, "Behold ye Khabasu of Heliopolis . . . the God is born. . . one who can take the helm. Osiris Anchnesneferibre (the princess) will reckon (calculate, reason, w3d) with you concerning the secret which is in the Great Hall (w3s.t, of the palace) of the gods and will take along Osiris in his Ship of a Thousand, even with the two heads, so that by it he can mount to heaven and to the counter heaven."[56] This is our figure 4. Even more impressive is the way the Joseph Smith explanation seems to parrot everything the Worterbuch says about the Khabasu. According to the Worterbuch, h3-b3. s means: "Literally, 'a thousand-fold is her [the goddess of heaven] souls,' as a collective designation for the host of stars."[57][58]

[. . .]

The third most significant thing about figure 4, according to Joseph Smith, is its office in "answering to the measure of time," namely by the cycles and revolutions of the heavens. Since all these figures mark both the completion and initiation of various life cycles, time is of the essence and the figure of the Sokar-ship is the most important agent of coordination. It was at the sed-festival or jubilee that the bird was borne forth in procession on his ship. It is specifically figure 4 that coordinates the funereal with the astral them by virtue by its "calendrical" significance--that is, as the primordial measurement of time.[59][60]

...and is said by the Egyptians to represent the Sun (Fig 5)

Hugh Nibley (and Michael Rhodes):

But Joseph Smith tells us that figure 5 is the Sun. No problem. From being the mother of the Sun with the new born disk rising between her horns--a design in evidence in prehistoric times--it was an easy step to becoming the Sun itself[61]. As early as the Old Kingdom, the cow appears "as the female equivalent of Re."[62] At Opet in Luxor, where the Mother-Cow was worshiped as Hathor of Coptus, she was called the Sun of the Two Worlds--that is, both of Horus the son of Osiris and Amun-Re the Sun of Thebes[63]Her horns, flanked by the same two feathers that our figure 2 wears as the Sun at the zenith, showing that the cow resurrects the Sun as well as the human race. [64][65]

...which governs fifteen other fixed planes or stars...

Hugh Nibley (and Michael Rhodes):

In his discussion of the Book of the Cow in the royal tombs, Charles Maystre pays special attention to the Tutankhamun version, the most carefully executed of the Heavenly Cow pictures (see p. 324, fig. 38): “Along the belly of the cow are stars.” [66] These are set in a line; at the front end is the familiar solar-bark bearing the symbol of Shemsu, the following or entourage, and at the rear end of the line is another ship bearing the same emblem. Both boats are sailing in the same direction through the heavens. The number of stars varies among the cows; in the instructions contained in the tomb of Seti I, it is specified that there should be nine, though the three groups of three strokes each can, and often do, signify an innumerable host.[67]

The number here plainly belongs to the cow, but what about the fifteen stars? “The number fifteen cannot be derived from any holy number of the Egyptians,” writes Hermann Kees, and yet it presents “a surprising analogy” with the fifteen false doors in the great wall of the Djoser complex at Saqqara, which was designed by the great Imhotep himself, with the Festival of the Heavens of Heliopolis in mind, following the older pattern of the White Wall of the Thinite palace of Memphis.[68] Strangely enough this number fifteen keeps turning up all along, and nobody knows why, though it always represents passing from one gate or door to another. Long after Djoser, Amenophis III built a wall for his royal circumambulation at the sed-festival, marking the inauguration of a new age of the world; it also had fifteen gates.[69] In the funeral papyrus of Amonemsaf, in a scene in which the hawk comes from the starry heavens to minister to the mummy, “the illustration . . . is separated into two halves by the sign of the sky ” —the heaven above and the tomb below (fig. 31). Between the mummy and the depths and the hawk in the heaven, there are twelve red dots and fifteen stars.[70] Again, twelve is the best-known astral number, but why fifteen? One Egyptologist wrote years ago that “The author’s impression is that these [the fifteen stars] are purely theological features without astronomical significance.” [71] “The ‘great Ennead which resides in Karnak’ swelled to fifteen members.” [72] It was structured in three phases: one became two, two became four, four became eight, which is fifteen altogether. Étienne Drioton associates this with the dividing of eternity in the drama of Edfu into years, years into months, and months into fifteen units, these units into hours, and they into minutes.[73] Furthermore the idea of fifteen mediums or conveyors may be represented on the fifteen limestone tablets of the Book of the Underworld found by Theodore Davies and Howard Carter in the tomb of Hatshepsut.[74] Let us recall that the basic idea, as Joseph Smith explains it, is that “fifteen other fixed planets or stars” act as a medium for conveying “the governing power.” Coming down to a later time of the Egyptian gnostics, we find the fifteen helpers (παραστάται, parastatai) of the seven virgins of light in the Coptic Pistis Sophia, who “expanded themselves in the regions of the twelve saviors and the rest of the angels of the midst; each according to its glory will rule with me in an inheritance of light.” [75] In an equally interesting Coptic text, 2 Jeu, there are also fifteen parastatai who serve with “the seven virgins of the light” who are with the “father of all fatherhoods, . . . in the Treasury of the Light.” [76]. They are the light virgins who are “in the middle or the midst (μέσος, mesos),” meaning that they are go-betweens.[77] Parastatai are those who conduct one through a series of ordinances, just as the fifteen stars receive and convey light.

In all this we never get away from cosmology and astronomy. In the Old Slavonic Secrets of Enoch, “four great stars, each having one thousand stars under it,” go with “fifteen myriads of angels,” <re>Secrets of Enoch 11:4–5.</ref> all moving, to quote Joseph Smith, together with “the Moon, the Earth, and the Sun in their annual revolutions.” In the Book of Gates, one of those mystery texts reserved for the most secret rites of the greatest kings, we see, as Gustave Jéquier describes it, “a long horizontal bar with a bull’s head at either end, supported by eight mummiform personages, and carrying seven other genies” (fig. 32).[78]These fifteen figures are designated as carriers or bearers (f.w), and the bar is the body of the bull extended to give them all room. A rope enters the bull’s mouth at one end and exits at the other, and on the end of this rope there is a sun-bark being towed by a total of eight personages designated as stars.[79] Just as the ship travels through the fifteen conveyor stars on the underside of the cow, the two heads of the bull make him interchangeable with the two-headed lion Aker, or Ruty, who guards the gate. “Aker,” writes Jéquier, “is a personification of the gates of the earth by which the sun must pass in the evening and in the morning.” [80] He is the same as the two-headed Janus, the gate-god, whom we have already met.[81]

Earth in its four quarters (Fig 6)

Joseph correctly identified the four canopic jars in figure 6 as the earth in its four quarters. Non-LDS Egyptologist E.A. Wallis Budge has translated it in the same way. As he wrote:

The four children of Horus played a very important role in the funeral works of the early dynasties; they originally represented the four supports of heaven, but very soon each was regarded as the god of one of the four quarters of the earth, and also of that quarter of the heavens which was above it.[82]

LDS Scholars have also cited the work of Maarten Raven, a non-LDS Egyptologist, to support Joseph's explanation. [83]

Represents god sitting upon his throne, revealing through the heavens the grand Key-words of the Priesthood; as, also, the sign of the Holy Ghost unto Abraham, in the form of a dove (Figure 7)

The God Min appears to have been "made to represent God sitting upon his throne" while the wedjat eye was used to represent the power of the Priesthood, and Nehebkau, the bird-like/serpent-like God being made to represent the Holy Ghost. See John Gee's discussion above for the adaptation of birds to represent angels or other heavenly messengers:

Hugh Nibley (and Michael Rhodes):

The epithet of Min is "He of the upraised hand," and his identification is the flail and the erect phallus with which he appears in the oldest known Egyptian statue--he is always in human form[84] They are also signs of procreation. Min was intimately related to the god Amun, and Amun was probably derived from him.[85]. "Amun is the other self of Min; . . . his high priest was called 'The Opener of the Gates of Heaven,' while the high priest of Min at Letopolis was the 'Opener of the Mouth upon the Earth,' i.e., the mortals here on earth upon whom the heavenly power was conferred."[86] The Greeks and Romans associated him with Pan and Priapus [87] Min is the "Creator god who made the heaven and brought forth the gods, who made the earth and created men . . . and who keeps all things alive."[88]

[. . .]

But most especially the eye belongs to the king and to kingship. Osiris gets the eye back after Horus has rescued it for him; he needs it to rule the kingdom below as Horus and Re need it to rule on earth and in heaven. [89] The eye was, according to Griffiths, the Eye of Horus[90]

The eye fills the king completely;[91] it purifies him[92] it gives him special knowledge, visionary power. [93] It exalts the king and places him at the head of the Greater and Lesser Councils.[94] [. . .] In the Pyramid Texts the fusion of his king's nature with God of heaven takes place when his statue is crowned with the moon-eye of Upper Egypt and the sun-eye of Lower Egypt, and then is anointed, passing through the middle chamber of stars into a room in which heaven was scenically depicted."[95] It is the ultimate supreme power over men and gods [96] Its power is especially protective, encircling the king[97] [. . .] With all its power, the wedjat is an important element in the ordinances. The functions of the wedjat-eye are combined in the anointing oil, both as the oil of heating that revives the smitten hero[98] and as the very precious oil used in the ordinances of anointing the brow or breast, specifically to bestow authority ad power.[99] It is the anointing which transforms the nature of the individual.[100] All this is in the wedjat eye itself, which by anointing imparts soul and body, restoration, joy, and thankfulness with its obligation of obedience.[101]

In other ordinances it is the food of the sacrament, the wedjat-eye is the power of the bread which fills, revives, and strengthens the king.[102] It is the strength given by sacramental food.[103] [. . .]

By now it should be clear to any Latter-day Saint reader that the elusive wedjat-eye, intimately familiar yet strangely elusive, is a symbol of that equally common all-but-indefinable power called the priesthood.[104]

Contains writings that cannot be revealed unto the world; but is to be had in the Holy Temple of God; Ought not to be revealed at the present time; Also; Also. If the world can find out these numbers, so let it be. Amen (Figures 8-11)

Hugh Nibley (and Michael Rhodes):

Joseph Smith explained that the three lines of text, figures 8-11, contain "writings that cannot be revealed unto the world; but is to be had in the Holy Temple of God" and "ought not to be revealed at the present time." These lines contain a prayer to Osiris, the god of the dead, to grant life to the owner of this hypocephalus. A common theme of all Egyptian funerary literature is the resurrection of the dead and their glorification and deification in the afterlife, which is certainly a central element of our own temple ceremony.

There follows a transcription, transliteration, and translation of figures 8-11. (11) [Series of Egyptian hieroglyphs from figure 11] (10) [Series of Egyptian hieroglyphs from figure 10] (9) [Series of Egyptian hieroglyphs from figure 9] (8) [Series of Egyptian hieroglyphs from figure 8] (11) I ntr sdr. m sp (10) tpy, ntr '3 nb p.t, t3, (9) dw3.t, mw=f '3, (8) d3 'nh b3 Wsir Ssq. (11) O God of the Sleeping Ones[105] from the time of (10) the creation.[106] O Mighty God, Lord of heaven and earth, (9) of the hereafter, and of his great waters,[107] (8) may the soul of Osiris[108]Shishaq[109] be granted life.

As stated above, this is a prayer or plea of Shishaq, the owner of the hypocephalus, to Osiris, the god of the dead, who is the Lord of all things, to grant him eternal life.[110]

Figures 16, 17...will be given in the own due time of the Lord

Hugh Nibley (and Michael Rhodes):

There are other such sentiments, but none of them at all like that in the Joseph Smith hypocephalus. These two passages take the form of half a dozen formulae in the various hypocephali consistent with their position at the very bottom of the world: (1) The theme of light coming into the darkness, the best known of all; (2) a warning to one in danger; (3) the assurance “you are secure” (written with the djed-column); (4) the stock flame-under-the-head statement; (5) snatches from conventional statements found in hypocephali in general such as “you go where you want,” etc. (6) But the Joseph Smith readings are the most interesting, backed up as they are by the carefully composed Leiden and Ashmolean hypocephali.

The clue to these two lines is a recent study by Hans Goedicke. Most of line 17 is taken up by the significant expression b pn ḥnʿ nb=f. This particular formula, as Goedicke points out, citing examples, emphasizes “the continuous company between man and his ba . . . [and] reflects a continuous link.”[111] For example: “When I hurry to the caves, may my ba be still with me”[112]and “While I sleep my ba watches over my body.”[113] Just so Re watches over the sleeping Osiris. The idea of course is that the ba continues after death “to remain in contact with its former lord.” To achieve that unbroken contact between spirit and body against the moment of resurrection is of course the main purpose of the hypocephalus; or as Goedicke puts it, “the implicit motive for the desired contact between ba and corpse is the hope for a reunification of the disintegrated person in a physical rebirth.” [114] The subject of Goedicke’s special study is the famous “Lebensmüde,” or as Goedicke renders it, “The Report about the Dispute of the Man with his Ba” —perhaps the most impressive of all Egyptian theological compositions. Though the idea here treated “occurs repeatedly in all periods of Egyptian culture,” the “Lebensmüde” is the earliest and most moving exposition.[115] But the Joseph Smith version carries the theme farther. The whole inscription reads: (17) (16) (17) ḥ.t th.t, n nth.tw, (16) nn tḥ.tw b pn ḥnʿ nbf m dw.t ḏ.t (17) May this tomb never be desecrated,[116] (16) and may this soul and its owner never be desecrated in the hereafter.

The word ḥ.t refers to the tomb [117] or, more precisely, the tomb shaft.[118]Most hypocephali bear the name of their owner at least once, and it is his tomb that this passage is supposed to protect. The next word is thἰ, to overstep, transgress; desecrate.[119] The concern here is that the deceased body which is in the tomb as well as his spirit (ba) which is in the netherworld, not be disturbed or desecrated, which would prevent their ultimate reuniting in a resurrection. As Coffin Texts explain, all the parts of the physical body will be brought together with the soul, and the person will be “reestablished” in his original form.[120] The eternity motif means that the person is not stuck in the netherworld forever, but rather the body and spirit are reunited, and the person can “live forever.” [121][122]

Figure...18...will be given in the own due time of the Lord

Hugh Nibley (and Michael Rhodes):

Another tradition suggested by the rim is the significance of the solar circle as the year-circle or shenen, the course of the sun in his rounds. Alan H. Gardiner explains, “Strictly speaking, the loop would be round. . . . The Egyptians called the cartouche šnw from a verb-stem šnἰ, ‘encircle,’ and it seems not unlikely that the idea was to represent the king as ‘ruler of all that which is encircled by the sun,’ a frequently expressed notion.”[123]

The commonest Egyptian sign for eternity is read nḥḥ , a solar disk between two twisted hanks of hemp. ḥḥ is the common root for “many,” “very many,” “a million”; with the sun-disk (the time element) added it means eternal and eternally in the end formula of countless inscriptions, nḥḥ ḥnʿ ḏ.t, “for time and eternity.”[124] The point of all this is that the combination of šn and ḥḥ with vowels supplied can be read as Shinehah, which according to Joseph Smith designates “Shinehah, which is the sun,” with reference to its motion relative to that of the other heavenly bodies (Abraham 3:13) and signifies “one eternal round.”

The Amun inscriptions encircling the hypocephali deal with the transmission of heat, light, and power. In the Meux hypocephalus rim inscription Amun states, “I have come forth from the wedjat-eye. . . . I have come forth from the netherworld with Re (the sun),” [125] the hypocephalus itself being the means by which light and heat are transmitted from their celestial source to the individual whose head rests upon it. Amun is commonly implored in the rim inscriptions to “turn his face toward the body of so-and-so,” [126] to warm and preserve it through the virtue of Re. The hypocephalus as a transmitter of both heat and light was to make available to one in the netherworld the life-giving force of the sun.[127]

Figures.....19, 20, and 21 will be given in in the own due time of the Lord

Hugh Nibley (and Michael Rhodes):

The text found in figures 19-21 are as follows: (21) [Egyptian hieroglyphs] (20) [Egyptian hieroglyphs] (19) [Egyptian hieroglyphs]

(21) iw wnn=k (20) m ntr pf (19) dd.wy.

(21) You shall ever be (20) as that God, (19) the Busirian. [128]

This continues the overall theme of the hypocephalus, and indeed Egyptian funerary literature in general. The deceased is promised that he will be like Osiris--he will be resurrected and live eternally as a god.[129]

This planet receives its power through the medium of Kli-flos-is-es, or Hah-ko-kau-beam, the stars represented by numbers 22 and 23, receiving light from the revolutions of Kolob.

Hugh Nibley (and Michael Rhodes):

Inseparable from our figure 1 are the reverential apes on either side of him—figures 22 and 23 (see appendix 2). On other hypocephali they are sometimes two in number, sometimes four, six, or eight; sometimes standing and sometimes seated. They are identified as stars. As early as the Pyramid Texts, they are designated as “the Beloved Sons” of Sothis/Sirius, the brightest star in the sky.[130]. It is assumed that the position of the apes shows them warming their hands as they greet the rays of the rising sun after the cold desert night and seeming to shield their eyes from the glory of the sunrise. So they are stars receiving light from a greater star, as Joseph Smith’s explanation declares. There was nothing to indicate to Joseph Smith that they are stars, yet along with the Pyramid Texts we have a vignette in the 17th chapter of the Book of the Dead in which each of these apes is preceded by a star (fig. 22).[131]

[. . .]

Horopollo tells us that the special office of the apes was to function as timekeepers or time-reckoners.[132]The sitting cynocephalus, according to him, at each equinox urinates twelve times a day and twelve times a night; during the rest of the year he gives a cry twelve times a day on the hour, every hour.[133]The seated ape, then, is in charge of both the water clock and scales (fig. 24). In the Ptolemaic period the Egyptians wrote the determinative of the word for “hour,” wnw.t , by a heart-shaped plumb bob suspended from a carpenter’s square (see p. 253, fig. 26).[134]. The purpose of this was to make sure that the post supporting the scale was perfectly upright, as is shown in Joseph Smith Papyrus IV. This new element suggests that the apes which face each other, worshipping the central figure both on the morning side and the evening side on all hypocephali (Fac. 2, figs. 22 and 23), establish among other things a sense of perfect balance in the universe—time, space, and matter are all measurably related. Finally, each of our apes is crowned with a disk and a crescent, the meeting of the sun and the moon at the New Moon marking the beginning of the month; the best-known office of the cynocephalus apes is in representing Thoth as the moon-god (see color plate 2).[135]

Hah-Ko-kau-beam (Fig 23)

John Tvedtnes:

Abraham 3:13 defines Kokob as “star” and Kokaubeam as “stars, or all the great lights, which were in the firmament of heaven.” When first published in the Times & Seasons, the passage read “Kolob” in error. They’d written Kolob so many times that the typesetter thought that’s what belonged here. The manuscripts however have Kokob corresponding to the Hebrew word that we have written here kōkāb and denotes in the one singular and the other in the plural. The plural is also found two other times in the Book of Abraham and it’s called in Facsimile 2, Fig. 5 and also Abraham 3:16 it lists Kokaubeam or kōkābīm in Hebrew. The correct pronunciation (inaudible) means “the” so it’s “the stars.” Lundquist noted that one of the deities in Deimel’s list was Kakob meaning “star”. Similar, Kakkab is the name of one of the god’s mentioned in the Ebla records discovered in northwestern Syria.


Abraham and the Temple Endowment (Themes of Facsimile 2 and especially figures 8-20)

Hugh Nibley likened the temple endowment to the version of the Book of Breathings Made by Isis contained in the Joseph Smith papyri. The document is organized as follows:

  • The purpose of the document is given.
  • The individual is pronounced clean and enters the hall of justice
  • The individual enters the underworld with the setting sun and is divinized
  • The individual is resurrected and given personal permission to live among the gods.
  • The individual is assured of a fully functioning body and proceeds on the way of God.
  • The individual is given a name and allowed to partake of the offerings.
  • The gods escort the individual to various sacred places.
  • Various gods protect the individual from sickness
  • The individual is allowed to fellowship with the Gods
  • The individual is inducted into a chapel in the temple to celebrate a festival.
  • The individual will live by the fellowship permit he has received, and his enemies will no longer exist.
  • The gods tell the individual that because he is among the followers of god, his soul will live forever
  • The gods command that all doors be open to the individual
  • An offering formula is recited
  • Different gods are addressed, and the individual states that he is free from various sins. "He gave bread to the hungry, water to the thirsty, and clothing to the naked.
  • The individual is commanded to enter the next life with all the privileges of the gods.
  • Instructions for the deposition of the document are given [136]


Notes

  1. Renouf "Two-sided Hypocephalus," 144-46, plate 2
  2. Herodotus, Histories 2.46
  3. Ibid., 2.42
  4. Bonnet, Reallexikon, 870.
  5. Ibid., Kurt Sethe, Hieroglyphische Urkunden der griechisch-romischen Zeit, Urkunden des agyptiscen Altertums 2 (Leipzig: Hinrichs, 1904-16), 51.
  6. Mendes Stela, in Sethe, Hieroglyphische Urkunden der griechisch-romischen Zeit, 28
  7. Das Buch von der Abwehr des Bosen, in Seigfried Schott, Urkunden mythologischen Inhalts, Urkundedn des agyptiscen Alterums 6 (Leipzig: Hinrichs, 1929), 74-75.
  8. Bonnet, Rallexikon, 868.
  9. Nibley, Hugh "One Eternal Round" pp. 236, 238; Neal A. Maxwell Institute for Religious Scholarship: Provo, UT. Edited by Michael Rhodes (2010) PRINT.
  10. Robert Ritner has called the linking of one day to a cubit "specious" (See A Complete Guide to the Egyptian Papyri pg. 221). This was written before this article from Hollis Johnson. Perhaps this may satisfy some skepticism.
  11. De Santilana and von Dechend, Hamlet's Mill, 8
  12. Ibid.
  13. Nibley "One Eternal Round" p. 256
  14. George H. Box, ed. and trans., The Apocalypse of Abraham (New York: Macmillan, 1918), 16; but this angel was also called Metatron or Enoch; see Hugh Nibley, Abraham in Egypt, 2nd ed., CWHN 14 ( Salt Lake City: Deseret Book and FARMS, 2000), 44, fig 4.
  15. Eliyahu Rosh-Pinnah, "The Sefer Yetzirah and the Original Tetragrammaton," JQR 57 (1967): 223.
  16. Phineas Mordell, "The Origin of Letters and Numerals According to the Sefer Yezirah," JGR 2 (1912): 567.
  17. Nibley "One Eternal Round" 256-258; Ritner has disputed this thusly: "Apologists Michael Rhodes and John Gee have sought to defend Smith's xplanation of "Jah-oh-eh" as "O the earth", although this is impossible both by phonetics (with three hs) and sense (3ht "arable field" is not used to indicate the whole earth),..." Ritner's assessment seems to lack room for assessing what system of transliteration Joseph is using for this. Also, if we see the figure again it reads "called by the Egyptians" not "meaning, in ancient Egyptian." What Egyptians are we using as a reference point? What language are they speaking? Regarding Ritner's comments specifically about "arable land", what else does Joseph have to render it as? This etymology from Hugh Nibley disregards Egyptian entirely and proposes one in Semitic roots, moving in a different direction from Gee and Rhodes. This may open better lines of inquiry.
  18. Renouf, "Two-sided Hypocephalus," 144-46.
  19. Henri Fankfort, Kingship and te Gods: A Study of Ancient Near Eastern Religion as the Integration of Society and Nature (Chicago: University of Chicago Press, 1948), 202-3
  20. BM 37330
  21. Gasto Maspero, "Sur l'ennéade: Bulletin critique de la religion égyptienne," Revue de l'histoire des relgions 25 (1892): 1.
  22. August von Pauly and Georg Wissowa, Paulys Real-Encyclopodiae der classichen Altertumswissenschaft, 1st and 2nd ser., 33 vols. (Stuttgary; Metzler, 1893-1978), 1.2:1855
  23. BD 17, English translation in Faulkner, Ancient Egyptian Book of the Dead, 44.
  24. Rudolf Anthes, ". . . in seinem Namen und im Sonnenlicht. . .," ZAS 90 (1963):4.
  25. Alexandre Moret, Le ritual du culte divin journalier en Egypte d'apres les papyrus de Berlin et les textes du temple de Seti ler, a Abydos(Paris: Leroux, 1902), 148-9.
  26. Anthes, ". . . in seinem Namen und im Sonnenlich. . .," 4.
  27. BD 17, English translation in Faulkner, Ancient Egyptian Book of the Dead, 44.
  28. Renouf "Two-Sided Hypocephalus," 144-46, plate 2.
  29. Oswalrd Spengler, Der Unergang des Abendlandes: Umrisse eitnerMorphologie der Weltgeschichete, 2 vols. (Leipzig: Braumuller, 1918-22); Gertrud Thausing and Traudl Kertszt-Kratschmann, Das grosse ayptische Totenbuch (Papyrus Reinish) der Papyrussammling der osterreichischen Nationalbibliothick (Cairo: Osterreichisches Kulturinstitut, 1969), 19-22.
  30. Ovid, Fasti 1:99
  31. Ovid, Fasti 1:228
  32. Ovid. Fasti 1:139
  33. Nibley "One Eternal Round" pg. 268
  34. Nibley wasn't referring to Ritner, but as a fun example, Robert Ritner wrote the following in "A Complete Guide to the Joseph Smith Papyri": "Smith's statement that Amon (Fig 7.) is 'God sitting upon his throne' was an easy guess." In his references attached to it we read "Also used in the explanation of the intrusive "Fig. 3"
  35. Raymond O. Faulkner, A Concise Dictionary of Middle Egyptian (Oxford: Oxford University Press, 1962), 54.
  36. Alan H. Gardiner, Egyptian Grammar, 3rd ed. rev. (Oxford: Oxford University Press, 1957), 559. See also Allen, James P. (2014-07-24). Middle Egyptian: An Introduction to the Language and Culture of Hieroglyphs. Cambridge University Press. p. 579. ISBN 9781139917094.; Wikipedia "Was-sceptre" <https://en.wikipedia.org/wiki/Was-sceptre> (accessed 11 November 2018)
  37. Ritner protests that Nibley may not have known that the figure was copied from either papyri on page 219 of his book "A Complete Guide to the Joseph Smith Papyri". Yet, Nibley addressed it first thing as part of his discussion of Figure 3 in "One Eternal Round". While it may be true that Nibley did not acknowledge this in his early work, he most certainly did in later work.
  38. Philadelphia 29-86-436.
  39. P. Louvre N. 3525 A1/3.
  40. BM 37095 (formerly 8445a).
  41. Cairo SR 10695.
  42. Brussels E 6319 (see appendix 6 of Nibley's book)
  43. Brussels E 6319 (see appendix 6 of Nibley's book)
  44. Brussels E 6319 (see appendix 6 of Nibley's book)
  45. Brussels E 6319 (see appendix 6), P. Louvre N. 3181, P. Louvre N. 3525 A1/3, P. Louvre N. 2526, Edinburgh 1956-48, Leiden AMS 62 (see appendix 5).
  46. Torino 16347.
  47. Ashmolean 1982-1095; Leiden AMS 62 (see appendix 5).
  48. Nibley "One Eternal Round" Ch 7 "Reading the Hypocephalus: Part 1, Fiures 1-4, 22-23"
  49. Rudolf Anthes, "Egyptian Theology in the Third Millennium B.C.," JNES 18 (1959): 171; a full-scale photo is in Reginald Engelbach, "An Alleged Winged Sun-disk of the First Dynasty," ZAS 65 (1930): 115-16, plate opposite page 114; see Hugh Nibley, "A Pioneer Mother," in Abraham in Egypt, CWHN 14:509, fig. 86.
  50. Hermann Kees, Der Gotterglaube im alten Agypten (Leipzig: Hinrichs, 1941) 42-43
  51. Notice the reference to stars here. This ties with Abraham and his covenant seed.
  52. Alexandre Piankoff, the Shrines of Tut-Ankh-Amon (New York: Pantheon Books, 1955), 96-98
  53. PT 434 (SS784-85)
  54. Nibley "One Eternal Round" pg. 279-81;
  55. Erik Hornung, Tal der Konige, 135; see Nibley, Abraham in Egypt, CWHN 14:65, fig. 12
  56. Constantin E. Sander-Hansen, Die relgiosen Texte auf dem Sarg der Anchenesferibre (Cop enhagen: Levin and Munksgaard, 1937), 36-37.
  57. Wb 3:230, 1.
  58. Nibley "One Eternal Round" pg. 282-83; This argument has been disputed by Robert Ritner. He rebuts thusly "Nibley sought to defend Joseph Smith's 'explanation' of this figure by reference to the solar boat (not the depicted Sokar barque) as being 'a ship of 1000 cubits' and thus 'a numeral figure, in Egyptian signifying a thousand' Neither barque, however, is used in Egyptian texts as a 'numeral figure' and the more common designation of the solar boat is in fact 'the barque of millions'--not 1000. As elsewhere, Nibley did not evaluate Smith's statements objectively; but sought out any possible defense, no matter how farfetched." Ritner's assessment does not seem to take into account Nibley's statements about Nut even though "One Eternal Round" is cited here where Ritner makes his counterargument. Here we have examples from Nibley where the barque was, in a sense, used as a numeral figure to mean "A thousand.." in Egyptian texts--as an epithet of the Goddess Nut
  59. Philippe Derchain, "La peche de l'oreil et les mysteres d'Osiris a Dendara," RdE (1963): 13-14
  60. Nibley "One Eternal Round" pg. 283"
  61. Bonnet, Reallexikon der agyptischen Religionsgeschichte, 281.
  62. Ibid., 280
  63. Maxence de Rochemonteix, "Le temple d'Apte ou est engendre l'Osiris thebain," in Oeuvres diverses, ed. Gaston Maspero, BE 3 (Paris:Leroux, 1894),258.
  64. Gustave Jequier, Considerations sur les religions egyptiennes (Neuchatel: Baconniere, 1946),219.
  65. Nibley "One Eternal Round"
  66. Charles Maystre, “Le Livre de la Vache du Ciel dans les tombeaux de la Vallée des Rois,” Bulletin de l’Institut français d’archéologie orientale 40 (1941): 109.
  67. Naville, “La destruction des hommes par les dieux,” plate B, col. 45.
  68. Hermann Kees, “Die 15 Scheintüren am Grabmal,” ZÄS 88 (1963): 110–11.
  69. Ibid., 111.
  70. Alexandre Piankoff, “The Funerary Papyrus of the Shieldbearer Amon-m-saf in the Louvre Museum,” Egyptian Religion 3 (1935): 134
  71. Herbert Chatley, “Egyptian Astronomy,” JEA 26 (1941): 125.
  72. W. J. Murnane, United with Eternity: A Concise Guide to the Monuments of Medinet Habu (Cairo: Oriental Institute, University of Chicago, 1980), 61–62.
  73. Étienne Drioton, Le texte dramatique d’Edfu (Cairo: IFAO, 1949), 23.
  74. Described by Siegfried Schott, Die Schrift der verborgenen Kammer in Königsgräbern der 18. Dynastie: Gliederung, Titel und Vermerke (Göttingen: Vandenhoeck & Ruprecht, 1958), 323.
  75. Pistis Sophia, 86, 194.
  76. Second Jeu 44, in Carl Schmidt, The Books of Jeu and the Untitled Text in the Bruce Codex (Leiden: Brill, 1978), 105.
  77. Pistis Sophia, 86, 194.
  78. Jéquier, Considérations sur les religions égyptiennes, 172–73.
  79. Ibid.
  80. Ibid., 173; see Hugh Nibley, The Message of the Joseph Smith Papyri: An Egyptian Endowment, 2nd ed., CWHN 16 (Salt Lake City: Deseret Book and FARMS, 2005), 394, fig. 126.
  81. Nibley, "One Eternal Round"
  82. E.A. Wallis Budge, Egyptian Magic (New Hyde Park, NY: University Books, 1958),90-91
  83. Maarten J. Raven, “Egyptian Concepts of the Orientation of the Human Body,” in Proceedings of the Ninth International Congress of Egyptologists (2007), 2:1569–70. Ritner has sought to dismiss this explanation thusly "In keeping with Smith's interpretation of the hypocephalus as an astronomical document, he explains the four sons of Horus (Fig. 6) as simply 'the earth in its four quarters.' While any group of four can have directional relevance, that is hardly the pivotal significance of these protectors of the embalmed viscera (lungs, liver, stomach, and intestines)." Ritner recognizes that many, if not most, Egyptologists recognize that these four gods can have directional significance. The four Sons of Horus were associated with cardinal direction points , so that Hapi was the north, Imsety the south, Duamutef the east and Qebehsenuef the west. (Lurker, Manfred (1974). Lexikon der Götter und Symbole der alten Ägypter (in German). Bern: Scherz. ) [1].
  84. Bonnet, Reallexikon der agyptischen Religionsgeschichte, 461.
  85. Gerald A. Wainwright, "The Emblem of Min," JEA 17 (1931): 185
  86. Wainwright, Emblem of Min," 170.
  87. Ibid., 464.
  88. Ibid., 463
  89. PT 356 (579)
  90. Griffiths, "Remarks on the Mythology of the Eyes of Horus," 191.
  91. PT 198 (114)
  92. PT 258 (308); 259 (312).
  93. PT 638 (1805)
  94. PT 468(901); 523 (1231).
  95. Spiegel "Das Auferstehungritual der Unaspyramide," 389-93; PT 301 (451); see Nibley, Message of the Joseph Smith Papyri, CWHN 16:119, fig. 30.
  96. PT 200-221 (195)
  97. PT 200-221 (195)
  98. PT 74-76 (51)
  99. PT 621 (1754); 637 (1803); 639 (1809)
  100. PT 72-73 (50); 74-76 (51); 77 (52)
  101. PT 687 (2074-77)
  102. PT 199 (115)
  103. PT186-90 (107-8) and PT 197 (113)
  104. Nibley "One Eternal Round"
  105. I.e., the dead; see Wb 4:392, 9.
  106. Literally "the first time." See Wb 3:438, 1.
  107. The primeval ocean from which the sun rose on the day of creation and which surrounds the earth. See Henri Frankfort, Ancient Egyptian Religion (New York: Harper Torchbooks, 1961),114. A similar phrase is found in one of the Demotic magical papyri, r-wn n=y p3 t3 r-wn n=y t3 tw3.t r-wn n=y p3 nwn, "Open the earth for me, open the netherworld for me, open the primeval waters for me." F. Llewellyn Griffith and Herbert Thompson, The Demotic Magical Papyrus of London and Leiden (London: Grevel, 1905), line I 5.
  108. On the identification of the dead with Osiris, see Frankfort, Ancient Egyptian Religion, 103-5; Robert Ritner in his translation renders "soul" as "ba-spirit" (See "A Complete Guide to the Joseph Smith Papyri" pg. 222) the translation is accurate, yet distinction does not bare significant weight to interpretation. "Ba" was simply apart of the Egyptian pronunciation for "soul". The ancient Egyptians believed that a soul (kꜣ/bꜣ; Egypt. pron. ka/ba) was made up of many parts[2].
  109. Shishaq or Sheshonq was the name of several Egyptian pharaohs of the Twenty-first Dynasty, the Libyan Dynasty.
  110. Nibley "One Eternal Round" pg. 327
  111. Hans Goedicke, The Report about the Dispute of a Man with His Ba, papyrus Berlin 3024 (Baltimore: Johns Hopkins Press, 1970), 33.
  112. CT 249 in Adriaan de Buck, The Egptian Coffen Texts, 7 vols. (Chicago: University of Chicago Press, 1935-61), 3:323g-324a
  113. CT 229, in de Buck, Egyptan Coffin Texts, 3:296i
  114. Goedicke, Report about the Dispute of a Man with His Ba, 33
  115. Ibid. 58
  116. Emending o nn th.tw h3.t tn. Similar passages, but even more garble, are found in th British Museum hyocephalid BM 35875 (8445c), BM 37908 (3445f), and BM 37909(8445d).
  117. Wb 3:12, 19; Faulkner, Concise Dictionary of MIddle Egytian, 160.
  118. Rainer Hannig, Grosses Handworterbuch Agyptisch-Beutsch: Die Sprache der Pharaonen (2800-950 v. Chr.) (Mainz: von Zabern, 1995), 503.
  119. Ibid., 937
  120. CT 20, in de Buck, Egyptian Coffin Txts, 1:56-58
  121. PT 11 (8)
  122. Nibley "One Eternal Round"
  123. Alan H. Gardiner, Egyptian Grammar, 3rd ed. (Oxford: Oxford University Press, 1957),74.
  124. See Nibley, Message of the Joseph Smith Papri, CWHN 16:228-32; 229, fig 68.
  125. Burssels E 6319
  126. E.g., Florence hyocepalus, Bologna B2025, BM 36188 (8445e), P. Louvre AF 1936
  127. Nibley "One Eternal Round"
  128. dd.wy is a disbe adjective formation of Dd.w, Busiris, a cult center of Osiris in the Delta, and thus used as an epithet of Osiris. Cf. Wb 5:630, 7.
  129. Nibley "One Eternal Round" pg. 345; This translation is retained in Ritner "A Complete Guide to the Joseph Smith Papyri" pg. 220.
  130. PT 569 (1437)
  131. BD 17; see vignette in Raymond O. Faulkner, The Ancient Egyptian Book of he Dead, rev. ed. (New York: Macmillan, 1985)
  132. Horapollo, Hieroglyphica 1.16
  133. Ibid.
  134. Wb 1:316; see Ludwig Borchardt, Die altagyptische Zeitmessung, Band 1, Liefeung B of Die Geschicht der Zeitmessung und derUhren, hrg. Ernst von Bassermann-Jordan (Berlin: de Gruyetr, 1920), 52B, Abb. 24 (plumb bob glyphs).
  135. Nibley "One Eternal Round"
  136. Nibley, Hugh The Message of the Joseph Smith Papyri': An Egyptian Endowment. 2d ed. Salt Lake City: Deseret Book; Provo, Utah: FARMS, 2002